Literature about Commedia dell’Arte

Literature about Commedia dell’Arte:

  • Cassani Silvia, Pulcinella – maschera del mondo, Napels 1990
  • Castagno C Paul, The Early Commedia dell’Arte 1550 – 1621 – The Mannerist Context, New York 1994
  • Ducharte Pierre, The Italian Comedy, New York 1966
  • Ekelöv Gunnar, Commedia dell’Arte, Stockholm 1984
  • Fava Antonio, The Comic Mask in Commedia dell’Arte, Canada 2007
  • Gordon Mel, Lazzi – The Comic Routines if the Commedia dell’Arte, New York 1983
  • Grantham Barry, Playing Commedia –A Trainging Guide to Commedia Techniques, London 2000
  • Grantham Barry, Commedia Plays – Scenarios Scripts Lazzi, London 2006
  • Green Martin & Swan John, The Triumph of Pierrot, Pennsylvania 1986
  • Kennard Joseph Spencer, Masks and Marionettes, New York 1935
  • Lea K M, Italian Popular Comedy, New York 1962
  • Nicoll Allardyce, The World of Harlequin, Cambridge 1963
  • NikLaus Thelma, Harlequin Phoenix, London 1956
  • Pietropaolo Domenico, The science of Buffoonery: Theory and History of the Commedia dell’Arte¸Toronto 1989
  • Oreglia Giacomo, Commedia dell’Arte, Stockholm 2002
  • Oreglia Giacomo, Kring Harlekin och hans följe, Stockholm 1973
  • Pepe Nico, Pantalone, Udine 1981
  • Radcliff-Umstead Douglas, Carnival Comedy and Sacred Play, Missouri 1986
  • Richards Kenneth och Laura, Commedia dell’Arte, Oxford 1990
  • Rudlin John, Commedia dell’Arte – An Actors Handbook, London 1994
  • Rudlin John & Crick Olly, Commedia dell’Arte – A Handbook for Troups, London 2001
  • Sand Maurice, The History of the Harliquinade, London 1915
  • Serafini L & Cetrulo P, Piccola Pulcinellopedia, Milano 1984
  • Smith Winifred, Actors of the Renaissance, New York 1930
  • The Commedia dell’Arte in Naples: A bilingual edition of the 176 Casamarciano Scenarios, Boston 1992

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