Tag Archives: Arlecchino

A Servetta’s prolog

Tweet Here is a prolog by a Servetta from Domenico Brunis, from 1621, in my translation from Swedish. This might be one of the most used prologs today. It is one of the few saved prologs that are dramatic and … Read the rest of this entry

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The roots to all western popular comedy

Tweet I see Commedia dell’Arte as the roots to all western popular comedy. There are naturally roots to Commedia dell’Arte as well, but if we see it as the first professional form of theatre in Europe and if we consider … Read the rest of this entry

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Stage strategies (Part 2)

Tweet The second group of strategies he call dividing the stage: Windows are the easiest way to divide the stage. By using windows on the backdrop (as talked about in THE STAGE), where a mask can look out, we work … Read the rest of this entry

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Stage strategies (Part 1)

Tweet Whether we believe in Commedia dell’Arte as in totally improvised genre or not, there is always an element of improvisation in it. As an actor one can only be in control of two other elements at the same time. … Read the rest of this entry

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The Stage

Tweet Traditionally a Commedia dell’Arte stage was used to be a banco, made of wood, about two meters tall and not much bigger than a horse driven cart, about 3 x 4 meters. It usually had a simple backdrop and … Read the rest of this entry

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Acrobatics as a discipline in Commedia dell’Arte

Tweet Acrobatics and slapstick (together with the music) may be the most used discipline in Commedia dell’Arte. They work with symmetries, physical turns or physically exaggerated reactions or positions. Acrobatics is a way to stylize and it is used, just … Read the rest of this entry

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Music as a discipline in Commedia dell’Arte

Tweet The music is off course the most central of all disciplines in Commedia dell’Arte. It is there to heighten the performance and it helps up the atmosphere of feast that is so characteristic in Commedia dell’Arte. I the very … Read the rest of this entry

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Improvisation in Commedia dell’Arte (Part 3)

Tweet Much of the art in playing Commedia dell’Arte has to do with being constantly on the alert, always ready to jump in to the action or leave space for another mask. This does not just apply when we are … Read the rest of this entry

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Improvisation in Commedia dell’Arte (Part 1)

Tweet How much in a Commedia dell’Arte show during the renaissance that was improvised is something we will never know. What we know is that a lot was written down: lazzi, burle, some monologues and dialogs, battute, concetti and we … Read the rest of this entry

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Mask technique in Commedia dell’Arte in Commedia dell’Arte (Part 1)

Tweet First of all we must establish that the mask technique is used by every mask in Commedia dell’Arte, consequently also the masks that don’t actually have a mask in their face. That is so all masks are playing in … Read the rest of this entry

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