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Pulcinella tries to convince Zanni to dress up as a Isabella

A scene from “Morens Fånge” or “The Prisoner of the Moor”. That I made with Teater Teatropen in 2002. Zan:                    Are you a little moody today? Hihihi… Pulcinella is cranky.                              Killekille kill Pulcinella turns                              Killekille kill Pulcinella turns … Read the rest of this entry

Filed in 1 Commedia dell'Arte, Example texts | Comment Now

Pulcinella thinks Petunia is in love with him

From ”Det allra löjligaste” played by Teater Teatropen in 2003 Pulcinella enters and hears Pet:         Aparte Wow! Wow!! Wow!!! The cooest… the handsomest… Did you see? He is sooo cool He is just sooo …and sooo stunning. Pul:          Oh! Am … Read the rest of this entry

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Pantalone and Dottore makes a deal

Here is a scene From ”Where is the Book” opened in 2014 in Stockholm, then toured Finland and the north of Sweden. It was decided that Pantalones son Flavio should marry Doralice, but then Pantalone laid his own eyes on … Read the rest of this entry

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Lelio ask Arlecchino to help him find a doctor

From “Pulcinella – the Miracle Doctor” opened 2001 in Stockholm then toured the north of Norway, Finlad and Sweden Pulcinella has mistakenly been convinced to play doctor in order to cure Flaminia who has became mute. Now Lelio meets Arlecchino, … Read the rest of this entry

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Brighella gets paid

This example comes from ”Where´s the Book?” from 2014.Dottore is looking for his book that he needs to remember how to marry his daughter with Pantalone. When Brighella comes by he asks for help… Dott:          …and not here either. Brighella … Read the rest of this entry

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Arlecchino and Zanni gets a job

From”The Miracle Doctor” opened in 2101 in Stockholm, then toured northern Norway and Sweden. Arl:                        In Oh, I am so hungry I could eat a horse. Zan:                       In Oh, I am so hungry I could eat a donkey. Arl:                         … Read the rest of this entry

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Women in Commedia dell’Arte (Part 2)

There are a couple of ways to let women wear masks in Commedia dell’Arte even though it is not conventional. Many of the masks are more or less gender neutral, especially in a modern context, such as Arlecchino or Zanni. … Read the rest of this entry

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Women in Commedia dell’Arte (Part 1)

We have to start with admitting that Commedia dell’Arte was a very masculine form of theatre, at least if we see it from today’s perspective. It sprung out in a time when women, in the greater parts of Italy, just … Read the rest of this entry

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3 reasons mask doesn’t use psychology

The characters of the masks are made of their physical limitations, posture, gestures and so on. It is only the outer of the masks that make up their character. There is no psychology possible, since it does not go through … Read the rest of this entry

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Western bias of the mask

In the west we tend to think about the mask as something to hide behind, as if it were a tool to hide emotions, intentions or reactions. Nothing can be more wrong. The masks always tell the truth – it … Read the rest of this entry

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