Tag Archives: buffoons

Posted on 2017-01-29 by Micke Klingvall

Carnival and the popular feast (Part 4 – From the May feast to comedy)

The carnival was the only one of the festivals that followed such a strict standard scenario all over Europe. There were also other main characters in the festivities, such as King of Fools, Re de Maggio, Verde Giorio even Robin … Read the rest of this entry →

Filed in 2 Vulgar Comedy | 1 Comment
Posted on 2017-01-23 by Micke Klingvall

Carnival and the popular feast (Part 3 – The structure of the celebration)

The carnival started by electing a king of the carnival, who would rule the town or village through the festivities. It was often the village idiot or someone with low status in the town, usually with a grotesque or diabolic … Read the rest of this entry →

Filed in 2 Vulgar Comedy | 3 Comments
Posted on 2017-01-16 by Micke Klingvall

Carnival and the popular feast (Part 2)

The carnival can be derived from ancient Rome and the Saturnalia. It was celebrated in Rome between 17 and 23 of December, up until the 5th century, to the glory of Saturn, the God. The coming golden age ruled by … Read the rest of this entry →

Filed in 2 Vulgar Comedy | 4 Comments
Posted on 2017-01-09 by Micke Klingvall

Carnival and the popular feast (Part 1)

As we have seen in Charlatano and the square in Commedia dell’Arte the market square and the life in the streets were a form of refuge from the hard everyday life and the oppression of the state and the church. … Read the rest of this entry →

Filed in 2 Vulgar Comedy | 9 Comments
Posted on 2016-11-27 by Micke Klingvall

The language of the marketplace

A street vendor starts to call out his products in the square. The peddler in the booth beside him starts to yell out his products even louder in order to be heard and get anything sold. It works well. A … Read the rest of this entry →

Filed in 2 Vulgar Comedy | 5 Comments
Posted on 2016-11-14 by Micke Klingvall

Grammelot

The onomatopoetic, language mimicking, voice illustrating, sound that Dario Fo calls Grammelot was born in France when the Commedia dell’Arte actors where antagonized by the church in Italy during the counterreformation. They turned to Europe instead, but not only to … Read the rest of this entry →

Filed in 1 Commedia dell'Arte, 2 Vulgar Comedy, Acting style | 1 Comment
Posted on 2016-11-08 by Micke Klingvall

A Servetta’s prolog

Here is a prolog by a Servetta from Domenico Brunis, from 1621, in my translation from Swedish. This might be one of the most used prologs today. It is one of the few saved prologs that are dramatic and can … Read the rest of this entry →

Filed in 1 Commedia dell'Arte, Example texts | 1 Comment
Posted on 2016-10-31 by Micke Klingvall

The roots to all western popular comedy

I see Commedia dell’Arte as the roots to all western popular comedy. There are naturally roots to Commedia dell’Arte as well, but if we see it as the first professional form of theatre in Europe and if we consider that … Read the rest of this entry →

Filed in 1 Commedia dell'Arte, 2 Vulgar Comedy | 2 Comments
Posted on 2016-10-03 by Micke Klingvall

Acrobatics as a discipline in Commedia dell’Arte

Acrobatics and slapstick (together with the music) may be the most used discipline in Commedia dell’Arte. They work with symmetries, physical turns or physically exaggerated reactions or positions. Acrobatics is a way to stylize and it is used, just as … Read the rest of this entry →

Filed in Disciplines | Comment Now
Posted on 2016-09-05 by Micke Klingvall

Disciplines in Commedia dell’Arte

Commedia dell’Arte is sprung from a time long before circus and theatre were divided as separate genres, when all sorts of stage disciplines could be played on the same stage without one having to be better or more refined than … Read the rest of this entry →

Filed in Acting style, Disciplines | 5 Comments