Tag Archives: Italy

Grammelot

The onomatopoetic, language mimicking, voice illustrating, sound that Dario Fo calls Grammelot was born in France when the Commedia dell’Arte actors where antagonized by the church in Italy during the counterreformation. They turned to Europe instead, but not only to … Read the rest of this entry

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A Servetta’s prolog

Here is a prolog by a Servetta from Domenico Brunis, from 1621, in my translation from Swedish. This might be one of the most used prologs today. It is one of the few saved prologs that are dramatic and can … Read the rest of this entry

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The Stage

Traditionally a Commedia dell’Arte stage was used to be a banco, made of wood, about two meters tall and not much bigger than a horse driven cart, about 3 x 4 meters. It usually had a simple backdrop and where … Read the rest of this entry

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Improvisation in Commedia dell’Arte (Part 3)

Much of the art in playing Commedia dell’Arte has to do with being constantly on the alert, always ready to jump in to the action or leave space for another mask. This does not just apply when we are on … Read the rest of this entry

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Improvisation in Commedia dell’Arte (Part 2)

When I work with Commedia dell’Arte I don’t let improvisation be the most important, even though it still is important. I do this for three reasons; Commedia dell’Arte is played from a plot, even though it is of less importance … Read the rest of this entry

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What we really know about Commedia dell’Arte (Part 2)

Except from the fact that almost all that is written about Commedia dell’Arte from the renaissance is either from what is played in the castles and palaces for nobles and the learned or it is written by priests who had … Read the rest of this entry

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What we really know about Commedia dell’Arte (Part 1)

No one can say what a Commedia dell’Arte show really looked like in the renaissance. Neither do we know about the relations between the actors and the rest of the population or what is myth and what is true in … Read the rest of this entry

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Prolog or opening in Commedia dell’Arte

The introduction to a Commedia dell’Arte show in very important. It does not only have to present the different masks so that a modern audience will know them at an early stage in the show, it must also introduce the … Read the rest of this entry

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Transformations in Commedia dell’Arte

The usual use of this element in Commedia dell’Arte is either magic or disguises. We can find its origins in the Carnival’s and the May feast’s death and resurrection or in the Feast of Fools with its mutability and chaos, … Read the rest of this entry

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Den Galopperande Doktorn (The Galloping Doctor)

Directing & Text –Micke Klingvall Amanda Jalmberger – Dottore Emilia Millan Björk – Flaminia Erik Norrman – Flavio, Pantalone Linnea Ytterlid – Arlecchino Den Galopperande Doktorn opened in Kulturhuset Stockholm at Stockholm Pride festival 29/2014. Then it continued touring in … Read the rest of this entry

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