Tag Archives: jesters

Mask technique in Commedia dell’Arte in Commedia dell’Arte (Part 1)

First of all we must establish that the mask technique is used by every mask in Commedia dell’Arte, consequently also the masks that don’t actually have a mask in their face. That is so all masks are playing in the … Read the rest of this entry

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No 4:th wall in Commedia dell’Arte (Part 3)

We can take in the audience in the performance either as an organism in itself or turn to different individuals in the audience. The show becomes a play between the audience and the masks on stage. In this play the … Read the rest of this entry

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No 4:th wall in Commedia dell’Arte (Part 2)

One convention in Commedia dell’Arte is to take of the mask in the middle of the play explaining that a mistake has been made and he will now be repeating the gag or trick or blaming the director/author when a … Read the rest of this entry

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Size and visual narrating

It’s important to be seen when playing on the street. Therefore we must be big and distinct in movement. We must always make sure that we communicate on such a large distance that we, not only attract audiences to come … Read the rest of this entry

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What we really know about Commedia dell’Arte (Part 2)

Except from the fact that almost all that is written about Commedia dell’Arte from the renaissance is either from what is played in the castles and palaces for nobles and the learned or it is written by priests who had … Read the rest of this entry

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2015 – En Herrgårdssägen (The Tale of a Manor)

We opened the play in 17 April 2015, as a final production for Kulturama’s second year students in Physical Theatre that year. The performance played for three shows at Kulturama in Hammarby Sjöstad, Stockholm, and then it toured Trondheim and … Read the rest of this entry

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En Herrgårdssägen (The Tale of a Manor)

by Selma Lagerlöf Herr Blomgren – Per Mollan Fru Blomgren – Yosefin Buohler Gunnar Hede – Axel Boberg Ingrid – Manuela Bjelke The Priest’s wife, The owneress at Munkhyttan– Malin Andresson Gustav Åhlin, Pigan, The Angel, Lady Grief, Karin Landeberg … Read the rest of this entry

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Prolog or opening in Commedia dell’Arte

The introduction to a Commedia dell’Arte show in very important. It does not only have to present the different masks so that a modern audience will know them at an early stage in the show, it must also introduce the … Read the rest of this entry

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Lazzo in Commedia dell’Arte

This might be the most known term in Commedia dell’Arte, though it is hardly known at all to those who are not involved in Commedia dell’Arte. It is not used anywhere else, but very often used in Commedia dell’Arte. What … Read the rest of this entry

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Canovaccio in Commedia dell’Arte

If we go back to the heydays of Commedia dell’Arte the concept of canovaccio becomes more complicated. It was used both as a full scenario or just a plotline in a scenario. The word means “what’s on the canvas”. But … Read the rest of this entry

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