Tag Archives: skrattets historia

Posted on 2021-03-10 by Micke Klingvall

To compose a Commedia dell’Arte group in the sixteenth century

To compose a Commedia dell’Arte group was a highly delicate task. Some masks were needed in order to fill out the usual scenarios. But one couldn’t just chose the best actors. One had to think about that the actors should … Read the rest of this entry →

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Posted on 2020-06-03 by Micke Klingvall

Commedia dell’Arte and text

Hearing about how the great Commedia dell’Arte groups trained and prepared their masks, we also hear a lot about how much they read (See example). It doesn’t necessarily mean that they used the texts on stage. It can just as … Read the rest of this entry →

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Posted on 2017-03-27 by Micke Klingvall

Vulgar Comedy and the Church (Part 3 – the Corpus Christi and the forming of comedy companies)

One example of how the theatre was used by the church was in the nativity scene. The first one was shown in 1223 by Francisco of Assisi. From the first puppets where used but soon the roles were played by … Read the rest of this entry →

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Posted on 2017-03-20 by Micke Klingvall

Vulgar Comedy and the Church (Part 4 – the Diavolas)

The Corpus Christi was celebrated with carnival festivities, comical rites and dramatic performances. It was not just the performance it was just as much the feast itself. In the long run people got tired of long serious plays. They wanted … Read the rest of this entry →

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Posted on 2017-03-13 by Micke Klingvall

Vulgar Comedy and the Church (Part 2 – the Feast of the Ass and the Feast of Fools)

The church was not just a religious building during the middle ages and the renaissance. It was also a cultural center where one could very well be engaged in worldly matters, despite protests from the priests. For example the cathedral … Read the rest of this entry →

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Posted on 2017-03-06 by Micke Klingvall

Vulgar Comedy and the Church (Part 1)

In Rome “the Christian” started to show up as a character in the ancient mime by the time Christianity makes its entry. He soon became one of the most acclaimed, comic roles. The roman mime was mocking the Christian ceremonies, … Read the rest of this entry →

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Posted on 2012-03-29 by Micke Klingvall

Nonliterary storytelling in Vulgar Comedy

Theatre started from the need and the lust of telling stories (See HERE). Maybe even before our language was fully developed (See more HERE). We can anyway be sure that theatre was played long before we started to write and … Read the rest of this entry →

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Posted on 2012-03-16 by Micke Klingvall

Low Comedy in Vulgar Comedy (Part 2)

But except from that about “the material-bodily lower” (See PART 1), Mikhail Bakhtin also states that common people at the time neither trusted seriousness nor people who were serious. They were a threat since the only ones that benefited from … Read the rest of this entry →

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