Tag Archives: stage acrobatics

Pulcinella tries to convince Zanni to dress up as a Isabella

A scene from “Morens Fånge” or “The Prisoner of the Moor”. That I made with Teater Teatropen in 2002. Zan:                    Are you a little moody today? Hihihi… Pulcinella is cranky.                              Killekille kill Pulcinella turns                              Killekille kill Pulcinella turns … Read the rest of this entry

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The Street as Venue (Part 2)

When it comes to Commedia dell’Arte and other masked theatre that are using entrées and sorties we need a backdrop. We don’t want the actors to vanish away in a distance. Since it is easy for the wind to make … Read the rest of this entry

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The Street as Venue

Vulgar Comedy has its roots as street theatre, or at least outdoor theatre. Long before the Greeks began building theatres for their dithyrambs and plays there where Thespis and his cart. One can still trace much of business onstage to … Read the rest of this entry

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Acrobatics as a discipline in Commedia dell’Arte

Acrobatics and slapstick (together with the music) may be the most used discipline in Commedia dell’Arte. They work with symmetries, physical turns or physically exaggerated reactions or positions. Acrobatics is a way to stylize and it is used, just as … Read the rest of this entry

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Music as a discipline in Commedia dell’Arte

The music is off course the most central of all disciplines in Commedia dell’Arte. It is there to heighten the performance and it helps up the atmosphere of feast that is so characteristic in Commedia dell’Arte. I the very first … Read the rest of this entry

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Disciplines in Commedia dell’Arte

Commedia dell’Arte is sprung from a time long before circus and theatre were divided as separate genres, when all sorts of stage disciplines could be played on the same stage without one having to be better or more refined than … Read the rest of this entry

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Improvisation in Commedia dell’Arte (Part 2)

When I work with Commedia dell’Arte I don’t let improvisation be the most important, even though it still is important. I do this for three reasons; Commedia dell’Arte is played from a plot, even though it is of less importance … Read the rest of this entry

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Pirater (Pirates)

Directing & Text – Micke Klingvall Linnea Ytterlid – The Captain Mattias Kolberg Eriksen – Esmeralda Andrea Boeryd – Rollo Pål Mollan – Ragnhild Rut Emilia Millan Björk – Klimpen Rosanne Hatab – Olle Amanda Jalmberger – William Havskrabba Veronica … Read the rest of this entry

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Workshop in stage acrobatics

With the right timing, the right ”entrance” and the right feeling for what is told, a simple somersault can be just  as efficient as a double salto in a performance or in a narrative situation. We work above all to … Read the rest of this entry

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