Kategorier
Arkiv
- november 2023
- maj 2023
- september 2022
- december 2021
- november 2021
- oktober 2021
- september 2021
- maj 2021
- april 2021
- mars 2021
- februari 2021
- januari 2021
- december 2020
- november 2020
- oktober 2020
- juni 2020
- maj 2020
- april 2020
- mars 2020
- maj 2017
- april 2017
- mars 2017
- februari 2017
- januari 2017
- december 2016
- november 2016
- oktober 2016
- september 2016
- juni 2016
- maj 2016
- april 2016
- mars 2016
- februari 2016
- januari 2016
- december 2015
- november 2015
- oktober 2014
- september 2014
- maj 2014
- december 2013
- november 2013
- mars 2013
- februari 2013
- januari 2013
- december 2012
- november 2012
- september 2012
- april 2012
- mars 2012
- februari 2012
- januari 2012
- december 2011
- november 2011
- oktober 2011
- juli 2011
Links
- Antonio Fava
- Burnt Out Punks
- Commedia dell'Arte day
- Dell'Arte International School of Physical Theatre
- Drama and Theatre Resource Guide
- École de Théâtre Jacques Lecoq
- Ecole Phillippe Gaulier
- Edinburgh Festival
- Glossa Teatro
- Jokes from 1906 to 2015
- Justin’s Theatre Links
- La Mama
- Marco Luly
- Maskmakers web
- Mummenschanz
- Teater Moment
- Teater Slava
- Theatret Thalias Tjenare
- Yahoo's Commedia dell'Arte group
Tag Archives: stage
Lelio ask Arlecchino to help him find a doctor
From “Pulcinella – the Miracle Doctor” opened 2001 in Stockholm then toured the north of Norway, Finlad and Sweden Pulcinella has mistakenly been convinced to play doctor in order to cure Flaminia who has became mute. Now Lelio meets Arlecchino, … Read the rest of this entry
Filed in 1 Commedia dell'Arte, Example texts
Comment Now
The theatre spaces in the heydays of Commedia dell’Arte
People went to the theatre of quite other reasons, socially and culturally, all the way up to the nineteenth century. First of all: the lights were not turned down in the auditorium. It was first in the middle of the … Read the rest of this entry
Filed in 1 Commedia dell'Arte
Comment Now
The Street as Venue (Part 2)
When it comes to Commedia dell’Arte and other masked theatre that are using entrées and sorties we need a backdrop. We don’t want the actors to vanish away in a distance. Since it is easy for the wind to make … Read the rest of this entry
Filed in 2 Vulgar Comedy
1 Comment
The Street as Venue
Vulgar Comedy has its roots as street theatre, or at least outdoor theatre. Long before the Greeks began building theatres for their dithyrambs and plays there where Thespis and his cart. One can still trace much of business onstage to … Read the rest of this entry
Filed in 2 Vulgar Comedy
1 Comment
The less well-to-do Commedia dell’Arte groups
Even if the more famous Commedia dell’Arte groups had an easier life the life of the actors were not always worth very much in the eyes of the rulers. Here is a letter from Rome, reporting about when the Gelosi … Read the rest of this entry
Filed in 1 Commedia dell'Arte
Comment Now
Stage strategies (Part 2)
The second group of strategies he call dividing the stage: Windows are the easiest way to divide the stage. By using windows on the backdrop (as talked about in THE STAGE), where a mask can look out, we work on … Read the rest of this entry
Filed in 2 Vulgar Comedy
Comment Now
Stage strategies (Part 1)
Whether we believe in Commedia dell’Arte as in totally improvised genre or not, there is always an element of improvisation in it. As an actor one can only be in control of two other elements at the same time. One … Read the rest of this entry
Filed in 1 Commedia dell'Arte
3 Comments
The Stage
Traditionally a Commedia dell’Arte stage was used to be a banco, made of wood, about two meters tall and not much bigger than a horse driven cart, about 3 x 4 meters. It usually had a simple backdrop and where … Read the rest of this entry
Filed in 1 Commedia dell'Arte
3 Comments
Entrees, sorties and sidelines in Commedia dell’Arte
Some of the special conventions in Commedia dell’Arte are the use of entrees, sorties and sidelines. An entrée always have to be exaggerated and articulate. I don’t just have to be so full of energy that the mask entering the stage … Read the rest of this entry
Filed in Acting style
Comment Now
Pirater (Pirates)
Directing & Text – Micke Klingvall Linnea Ytterlid – The Captain Mattias Kolberg Eriksen – Esmeralda Andrea Boeryd – Rollo Pål Mollan – Ragnhild Rut Emilia Millan Björk – Klimpen Rosanne Hatab – Olle Amanda Jalmberger – William Havskrabba Veronica … Read the rest of this entry
Filed in Mickes's productions
2 Comments