Tag Archives: teaterhistoria

Lelio ask Arlecchino to help him find a doctor

From “Pulcinella – the Miracle Doctor” opened 2001 in Stockholm then toured the north of Norway, Finlad and Sweden Pulcinella has mistakenly been convinced to play doctor in order to cure Flaminia who has became mute. Now Lelio meets Arlecchino, … Read the rest of this entry

Filed in 1 Commedia dell'Arte, Examples | Comment Now

Arlecchino and Zanni gets a job

From”The Miracle Doctor” opened in 2101 in Stockholm, then toured northern Norway and Sweden. Arl:                        In Oh, I am so hungry I could eat a horse. Zan:                       In Oh, I am so hungry I could eat a donkey. Arl:                         … Read the rest of this entry

Filed in 1 Commedia dell'Arte, Examples | Comment Now

The Lovers Tries to Meet

Here is a dialoge from  ”Where´s the Book?” made in 2014.Flavio and Doralice are coming on the stage and trying to meet each other. I guess you can see this as much as an example of a short scene as … Read the rest of this entry

Filed in 1 Commedia dell'Arte, Examples | Comment Now

Pantalone demands to sit down

Here is an example from ”Sex/six failures and a chair” played by my students in 2014. Pant:                  In But look… Hi once again! Are you still sitting here staring? Don’t you have any homes? And isn’t this that lazy bastard … Read the rest of this entry

Filed in Examples | Comment Now

Pulcinella explain to Coviello

Here is an example dialog between Pulcinella and Coviello from ”Squabble” I show I made in 2020 for Cultimedia. Pul:     In In Come on now you sluggish sack of flour! Cov:   In Here am I… quick as a flash! Pul:     … Read the rest of this entry

Filed in Examples | Comment Now

Goldoni and the end of an era (Part 4)

It is from this Von-oben-perspective, which we discussed in PART 3 that the bourgeois once again met with the old culture of laughter and vulgar comedy, sometime in the middle of the nineteenth century.  It was naturally still alive and … Read the rest of this entry

Filed in 1 Commedia dell'Arte, 2 Vulgar Comedy | 1 Comment

Goldoni and the end of an era (Part 2)

When Goldoni did replace the Commedia dell’Arte actor’s improvisations and whims with a ready written text he did not just kill the life in the words that came in the encounter with the audience, ha also changes Commedia dell’Arte into … Read the rest of this entry

Filed in 1 Commedia dell'Arte | 2 Comments

Women in Commedia dell’Arte (Part 2)

There are a couple of ways to let women wear masks in Commedia dell’Arte even though it is not conventional. Many of the masks are more or less gender neutral, especially in a modern context, such as Arlecchino or Zanni. … Read the rest of this entry

Filed in 1 Commedia dell'Arte, Mask theatre | Comment Now

Women in Commedia dell’Arte (Part 1)

We have to start with admitting that Commedia dell’Arte was a very masculine form of theatre, at least if we see it from today’s perspective. It sprung out in a time when women, in the greater parts of Italy, just … Read the rest of this entry

Filed in 1 Commedia dell'Arte, Mask theatre | Comment Now

Commedia dell’Arte masks design, materials and costume

The masks in Commedia dell’Arte are, unlike Greek, Balinese or Japanese masks for instance, always half masks. They are not bigger than that they cover just the upper part of the face. They are not big enough to manifest themselves … Read the rest of this entry

Filed in 1 Commedia dell'Arte, Mask theatre | Comment Now