Tag Archives: theatre education

Carnival and the popular feast (Part 5 – From the May feast to comedy)

Tweet From the material that are available there are lots of examples from primitive sketches to more sophisticated plays that can stand by their own, but have been a specific part of a wedding or another official feast. Let’s see … Read the rest of this entry

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Carnival and the popular feast (Part 2)

Tweet The carnival can be derived from ancient Rome and the Saturnalia. It was celebrated in Rome between 17 and 23 of December, up until the 5th century, to the glory of Saturn, the God. The coming golden age ruled … Read the rest of this entry

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Carnival and the popular feast (Part 1)

Tweet As we have seen in Charlatano and the square in Commedia dell’Arte the market square and the life in the streets were a form of refuge from the hard everyday life and the oppression of the state and the … Read the rest of this entry

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Dottore’s prolog

Tweet Here comes another prolog. It is a later text from Lo spirit delle maschere (The spirits of the masks) by Giueseppe Petrai written 1901. But it is a good example of a Dottore’s prolog. “Do you laugh because I … Read the rest of this entry

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Charlatano and the square in Commedia dell’Arte (Part 2)

Tweet Off course there has been jesters and actors around all the time despite prohibitions and censorship. It is just that we have no written witness descriptions since it mostly played in the country side for ordinary people who could … Read the rest of this entry

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Charlatano and the square in Commedia dell’Arte (Part 1)

Tweet In the marketplace, that had its own popular, unofficial laws impregnated by an atmosphere of freedom from severity; where yelling peddlers, the Cris de Paris and merry citizens “entertained the public in loud swearing duels, rhythmic chants, organized festive … Read the rest of this entry

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Grammelot

Tweet The onomatopoetic, language mimicking, voice illustrating, sound that Dario Fo calls Grammelot was born in France when the Commedia dell’Arte actors where antagonized by the church in Italy during the counterreformation. They turned to Europe instead, but not only … Read the rest of this entry

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The roots to all western popular comedy

Tweet I see Commedia dell’Arte as the roots to all western popular comedy. There are naturally roots to Commedia dell’Arte as well, but if we see it as the first professional form of theatre in Europe and if we consider … Read the rest of this entry

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Stage strategies (Part 2)

Tweet The second group of strategies he call dividing the stage: Windows are the easiest way to divide the stage. By using windows on the backdrop (as talked about in THE STAGE), where a mask can look out, we work … Read the rest of this entry

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Stage strategies (Part 1)

Tweet Whether we believe in Commedia dell’Arte as in totally improvised genre or not, there is always an element of improvisation in it. As an actor one can only be in control of two other elements at the same time. … Read the rest of this entry

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