Tag Archives: Theatrestudio

Stage strategies (Part 2)

The second group of strategies he call dividing the stage: Windows are the easiest way to divide the stage. By using windows on the backdrop (as talked about in THE STAGE), where a mask can look out, we work on … Read the rest of this entry

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The Stage

Traditionally a Commedia dell’Arte stage was used to be a banco, made of wood, about two meters tall and not much bigger than a horse driven cart, about 3 x 4 meters. It usually had a simple backdrop and where … Read the rest of this entry

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Acrobatics as a discipline in Commedia dell’Arte

Acrobatics and slapstick (together with the music) may be the most used discipline in Commedia dell’Arte. They work with symmetries, physical turns or physically exaggerated reactions or positions. Acrobatics is a way to stylize and it is used, just as … Read the rest of this entry

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Mime as a discipline in Commedia dell’Arte

All disciplines are not equally easy to use in Commedia dell’Arte. As an example on a problematic discipline we can look at mime or rather mimed objects. All objects on stage should be real. If we start to mime object … Read the rest of this entry

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Disciplines in Commedia dell’Arte

Commedia dell’Arte is sprung from a time long before circus and theatre were divided as separate genres, when all sorts of stage disciplines could be played on the same stage without one having to be better or more refined than … Read the rest of this entry

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Improvisation in Commedia dell’Arte (Part 2)

When I work with Commedia dell’Arte I don’t let improvisation be the most important, even though it still is important. I do this for three reasons; Commedia dell’Arte is played from a plot, even though it is of less importance … Read the rest of this entry

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Improvisation in Commedia dell’Arte (Part 1)

How much in a Commedia dell’Arte show during the renaissance that was improvised is something we will never know. What we know is that a lot was written down: lazzi, burle, some monologues and dialogs, battute, concetti and we can … Read the rest of this entry

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2014 – Sexfiaskon och en stol (sex/six-failures and a chair)

This was a fall production from the second year students at Kulturama’s physical theatre program in the fall of 2014. The show played in Stockholm with three shows. Back to: Sexfiaskon och en stol  Micke’s videos Commedia dell’Arte Tweet

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Sexfiaskon och en stol (Sex/six-failures and a chair)

Text and directing – Micke Klingvall Zanni – Yosefin Bouhler Pantalone – Per Mollan Flavio – Mårten Gunnarsson Flavia – Malin Andersson Capitano – Axel Boberg Signora – Manuela Bjelke Click here to see a trailer of Sexfiaskon och en Stol. This was a fall … Read the rest of this entry

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Commercialism in Commedia dell’Arte (Part 2)

The classical way is to wait until the hat is full before the show starts. The advantage with this way is that once “the hat is full” the actors don’t have to think about it and can concentrate on the … Read the rest of this entry

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