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Monthly Archives: maj 2016
Improvisation in Commedia dell’Arte (Part 2)
When I work with Commedia dell’Arte I don’t let improvisation be the most important, even though it still is important. I do this for three reasons; Commedia dell’Arte is played from a plot, even though it is of less importance … Read the rest of this entry
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Improvisation in Commedia dell’Arte (Part 1)
How much in a Commedia dell’Arte show during the renaissance that was improvised is something we will never know. What we know is that a lot was written down: lazzi, burle, some monologues and dialogs, battute, concetti and we can … Read the rest of this entry
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2014 – Sexfiaskon och en stol (sex/six-failures and a chair)
This was a fall production from the second year students at Kulturama’s physical theatre program in the fall of 2014. The show played in Stockholm with three shows. Back to: Sexfiaskon och en stol Micke’s videos Commedia dell’Arte Tweet
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Sexfiaskon och en stol (Sex/six-failures and a chair)
Text and directing – Micke Klingvall Zanni – Yosefin Bouhler Pantalone – Per Mollan Flavio – Mårten Gunnarsson Flavia – Malin Andersson Capitano – Axel Boberg Signora – Manuela Bjelke Click here to see a trailer of Sexfiaskon och en Stol. This was a fall … Read the rest of this entry
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Commercialism in Commedia dell’Arte (Part 2)
The classical way is to wait until the hat is full before the show starts. The advantage with this way is that once “the hat is full” the actors don’t have to think about it and can concentrate on the … Read the rest of this entry
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Commercialism in Commedia dell’Arte (Part 1)
Commedia dell’Arte is commercial by nature. One of the earliest names on Commedia dell’Arte was Commedia Merceraria (One of the many early names it has). The troupes played it in order to make money as any profession would. Commedia dell’Arte … Read the rest of this entry
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