Kategorier
Arkiv
- november 2023
- maj 2023
- september 2022
- december 2021
- november 2021
- oktober 2021
- september 2021
- maj 2021
- april 2021
- mars 2021
- februari 2021
- januari 2021
- december 2020
- november 2020
- oktober 2020
- juni 2020
- maj 2020
- april 2020
- mars 2020
- maj 2017
- april 2017
- mars 2017
- februari 2017
- januari 2017
- december 2016
- november 2016
- oktober 2016
- september 2016
- juni 2016
- maj 2016
- april 2016
- mars 2016
- februari 2016
- januari 2016
- december 2015
- november 2015
- oktober 2014
- september 2014
- maj 2014
- december 2013
- november 2013
- mars 2013
- februari 2013
- januari 2013
- december 2012
- november 2012
- september 2012
- april 2012
- mars 2012
- februari 2012
- januari 2012
- december 2011
- november 2011
- oktober 2011
- juli 2011
Links
- Antonio Fava
- Burnt Out Punks
- Commedia dell'Arte day
- Dell'Arte International School of Physical Theatre
- Drama and Theatre Resource Guide
- École de Théâtre Jacques Lecoq
- Ecole Phillippe Gaulier
- Edinburgh Festival
- Glossa Teatro
- Jokes from 1906 to 2015
- Justin’s Theatre Links
- La Mama
- Marco Luly
- Maskmakers web
- Mummenschanz
- Teater Moment
- Teater Slava
- Theatret Thalias Tjenare
- Yahoo's Commedia dell'Arte group
Tag Archives: history of the theater
Gelosi (the Zealous Ones) 1568 – 1604
Gelosi was the most famous of the Commedia dell’Arte companies of the time, the superstars of their time. They had a crest, a Janus head, and a motto: Virtù, fama ed honor ne fèr gelosi (Virtue, fame and honor made … Read the rest of this entry
Filed in 1 Commedia dell'Arte
Comment Now
Vulgar Comedy and the Church (Part 3 – the Corpus Christi and the forming of comedy companies)
One example of how the theatre was used by the church was in the nativity scene. The first one was shown in 1223 by Francisco of Assisi. From the first puppets where used but soon the roles were played by … Read the rest of this entry
Filed in 2 Vulgar Comedy
2 Comments
Vulgar Comedy and the Church (Part 4 – the Diavolas)
The Corpus Christi was celebrated with carnival festivities, comical rites and dramatic performances. It was not just the performance it was just as much the feast itself. In the long run people got tired of long serious plays. They wanted … Read the rest of this entry
Filed in 2 Vulgar Comedy
4 Comments
Vulgar Comedy and the Church (Part 2 – the Feast of the Ass and the Feast of Fools)
The church was not just a religious building during the middle ages and the renaissance. It was also a cultural center where one could very well be engaged in worldly matters, despite protests from the priests. For example the cathedral … Read the rest of this entry
Filed in 2 Vulgar Comedy
4 Comments
Vulgar Comedy and the Church (Part 1)
In Rome “the Christian” started to show up as a character in the ancient mime by the time Christianity makes its entry. He soon became one of the most acclaimed, comic roles. The roman mime was mocking the Christian ceremonies, … Read the rest of this entry
Filed in 2 Vulgar Comedy
5 Comments
The life among Commedia dell’Arte companies
Commedia dell’Arte was a very pragmatic art form. The purpose for the actors to act was simply to amuse their audiences, make money, and reach a better social status. But that didn’t make it dull or futile. It was just … Read the rest of this entry
Filed in 1 Commedia dell'Arte
1 Comment
Sound and sound effects
Commedia dell’Arte can very well be played without words, but never without sound, not even for a short moment. That is because it is street theatre. Sound has the ability to draw attention to it. I usually do an experiment … Read the rest of this entry
Filed in Acting style
2 Comments
Tempo or rhythm
Commedia dell’Arte is always fast, it is always moving forward and there are no dead moments in it. Except from the fact that it is comedy and it requires a comedy tempo, it is a consequence of that it is … Read the rest of this entry
Filed in Acting style
Comment Now
Size and visual narrating
It’s important to be seen when playing on the street. Therefore we must be big and distinct in movement. We must always make sure that we communicate on such a large distance that we, not only attract audiences to come … Read the rest of this entry
Filed in Acting style
1 Comment