Tag Archives: theatre school

The Laboratory of Hallucinations

This is part of a Grand Guignol show I was in 2003 called, in translation, “An evening of terror and laughter”. Grand Guignol as a form has its both funny and terrifying sides, not to mention that it is splatter … Read the rest of this entry

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What we really know about Commedia dell’Arte

It is interesting to read how many maestros define exactly what Commedia dell’Arte is and what is not, or how students and scholars want dogmatic truths about what Commedia dell’Arte, when we really know so little about it from its … Read the rest of this entry

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Strindberg’s ”The Outlaw”

August Strindberg’s he Outlaw (Den Fredlöse) was the final show for the second year students at the physical theatre education at Kulturama in Stockholm, wish I directed. It is not really Vulgar Comedy, as a matter of fact it’s not … Read the rest of this entry

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Why mask?

As the mask enhances the bodily expression both visually and by size it also compels a more direct communication from the stage. A communication that becomes stronger in its expression and allows a comedy that goes straight to the guts … Read the rest of this entry

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The face – a tool to lie with

People tend to think that the face is central for communication between people. I am not so sure. I think we think that the face is central. The face is what we use to lie with. We lie in the … Read the rest of this entry

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Masks in rehearsals

Here is another post from the questionnaire from Stockholm Academy of Dramatic Arts. This time is about how I work with masks if I only use them in rehearsals and not in the actual play. For those who like to … Read the rest of this entry

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About teaching mask

While answering the questions I talked about in About mask making I was also asked about how I teach mask. Here are a little of the answer to that. I am not bound to any specific method even though I … Read the rest of this entry

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The mask, costume and stage

This is also from when I was asked about my work with masks from different aspects a few years ago for a scientific work by Thanos Vovolis at the Stockholm Academy of Dramatic Arts. I thought that I might as … Read the rest of this entry

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