Literature about Commedia dell’Arte:
- Cassani Silvia, Pulcinella – maschera del mondo, Napels 1990
- Castagno C Paul, The Early Commedia dell’Arte 1550 – 1621 – The Mannerist Context, New York 1994
- Ducharte Pierre, The Italian Comedy, New York 1966
- Ekelöv Gunnar, Commedia dell’Arte, Stockholm 1984
- Fava Antonio, The Comic Mask in Commedia dell’Arte, Canada 2007
- Gordon Mel, Lazzi – The Comic Routines if the Commedia dell’Arte, New York 1983
- Grantham Barry, Playing Commedia –A Trainging Guide to Commedia Techniques, London 2000
- Grantham Barry, Commedia Plays – Scenarios Scripts Lazzi, London 2006
- Green Martin & Swan John, The Triumph of Pierrot, Pennsylvania 1986
- Kennard Joseph Spencer, Masks and Marionettes, New York 1935
- Lea K M, Italian Popular Comedy, New York 1962
- Nicoll Allardyce, The World of Harlequin, Cambridge 1963
- NikLaus Thelma, Harlequin Phoenix, London 1956
- Pietropaolo Domenico, The science of Buffoonery: Theory and History of the Commedia dell’Arte¸Toronto 1989
- Oreglia Giacomo, Commedia dell’Arte, Stockholm 2002
- Oreglia Giacomo, Kring Harlekin och hans följe, Stockholm 1973
- Pepe Nico, Pantalone, Udine 1981
- Radcliff-Umstead Douglas, Carnival Comedy and Sacred Play, Missouri 1986
- Richards Kenneth och Laura, Commedia dell’Arte, Oxford 1990
- Rudlin John, Commedia dell’Arte – An Actors Handbook, London 1994
- Rudlin John & Crick Olly, Commedia dell’Arte – A Handbook for Troups, London 2001
- Sand Maurice, The History of the Harliquinade, London 1915
- Serafini L & Cetrulo P, Piccola Pulcinellopedia, Milano 1984
- Smith Winifred, Actors of the Renaissance, New York 1930
- The Commedia dell’Arte in Naples: A bilingual edition of the 176 Casamarciano Scenarios, Boston 1992