Kategorier
Arkiv
- november 2023
- maj 2023
- september 2022
- december 2021
- november 2021
- oktober 2021
- september 2021
- maj 2021
- april 2021
- mars 2021
- februari 2021
- januari 2021
- december 2020
- november 2020
- oktober 2020
- juni 2020
- maj 2020
- april 2020
- mars 2020
- maj 2017
- april 2017
- mars 2017
- februari 2017
- januari 2017
- december 2016
- november 2016
- oktober 2016
- september 2016
- juni 2016
- maj 2016
- april 2016
- mars 2016
- februari 2016
- januari 2016
- december 2015
- november 2015
- oktober 2014
- september 2014
- maj 2014
- december 2013
- november 2013
- mars 2013
- februari 2013
- januari 2013
- december 2012
- november 2012
- september 2012
- april 2012
- mars 2012
- februari 2012
- januari 2012
- december 2011
- november 2011
- oktober 2011
- juli 2011
Links
- Antonio Fava
- Burnt Out Punks
- Commedia dell'Arte day
- Dell'Arte International School of Physical Theatre
- Drama and Theatre Resource Guide
- École de Théâtre Jacques Lecoq
- Ecole Phillippe Gaulier
- Edinburgh Festival
- Glossa Teatro
- Jokes from 1906 to 2015
- Justin’s Theatre Links
- La Mama
- Marco Luly
- Maskmakers web
- Mummenschanz
- Teater Moment
- Teater Slava
- Theatret Thalias Tjenare
- Yahoo's Commedia dell'Arte group
Monthly Archives: januari 2016
Frenzy in Commedia dell’Arte
When we talk about frenzy it has much to do with the organization of a canovaccio. We can build a canovaccio where the energy itself plays the main part. Surprise after surprise until the frenzy reaches its peak. This is … Read the rest of this entry
Filed in 1 Commedia dell'Arte, Acting style
2 Comments
Transformations in Commedia dell’Arte
The usual use of this element in Commedia dell’Arte is either magic or disguises. We can find its origins in the Carnival’s and the May feast’s death and resurrection or in the Feast of Fools with its mutability and chaos, … Read the rest of this entry
Filed in 1 Commedia dell'Arte, Acting style
Comment Now
Stupidity, animal behavior or/and amorality in Commedia dell’Arte
The masks neither can nor want to limit themselves by law, morals or common sense. The masks are here mirroring themselves mainly in actions of unmatched stupidity, or driven by monumental lust or hunger, or blissfully unknowing about rules and … Read the rest of this entry
Filed in 1 Commedia dell'Arte, Acting style
Comment Now
The wooing and sexual union between youth in Commedia dell’Arte
This may be the most important element for building scenarios, at least later scenarios. We are talking about the plays that basically deal with one or more pairs of Innamorati that, after going through obstacles, win each other and marry. … Read the rest of this entry
Filed in 1 Commedia dell'Arte, Acting style
Comment Now
The destruction or dethronement of the old man in Commedia dell’Arte
It is about annihilation of authorities. It is easy to find its way back to the King of Carnival and the sacrificing of him, the struggle between Lent and the King of Carnival, even the Feast of Fools with its … Read the rest of this entry
Filed in 1 Commedia dell'Arte, Acting style
1 Comment