Monthly Archives: januari 2013

Humor

Humor, on the other hand, is distance or the ability to see things from a distance. It opens up other and new angles to see a situation. It also invites us to see things from two or more perspectives at … Read the rest of this entry

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Laughter

First of all laughter is the actual bodily expression of joy, comedy and humor. It is what it all strive for. Laughter is the bodily expression of nervousness, confusion, embarrassment or tickling as well, but that is not our concern. … Read the rest of this entry

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Comedy

Comedy is a sort of humor since it also has to do with looking at things from a distance. Comedy is in many ways a rather cruel amusement. Most of the time we tend to laugh at people that are … Read the rest of this entry

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Ambivalence in Vulgar Comedy

The power has always wanted stagnant values in comedy or in art as a whole. It promotes static hierarchies, eternal truths and strict morals in order to preserve its view of the world. It is a view where every change … Read the rest of this entry

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Silverpilen (The Silver Pile)

Johan – Jonas Bane Cecilia – Zandra Hällström Karin – Helena Karlsson Cid – Jonas Larsson/Micke Klingvall Director – Jonas Larsson Text – Minerva productions Sound design – Mats Lundgren Light design – Pär Liljekvist Sound and light technicians – … Read the rest of this entry

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Workshop in stage acrobatics

With the right timing, the right ”entrance” and the right feeling for what is told, a simple somersault can be just  as efficient as a double salto in a performance or in a narrative situation. We work above all to … Read the rest of this entry

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Commedia dell’Arte-lecture

What is Commedia dell’Arte  How did it arise? Why is it relevant to play an old Renaissance theatre today? What is the idea behind acting in a mask? How much was in fact improvisation in a performance and how much is … Read the rest of this entry

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Micke’s Commedia dell’Arte-workshop

Commedia dell’Arte is what I first of all have specialized in through the years. The mad energy of the masks; the searching in the 16:th century world of theatre; lazzi and pranks; acrobatics, the music; the theatre of the actors – all … Read the rest of this entry

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Workshop in Physical Theatre

This workshop can either be seen as a continuation to the one in Physical Theatre training or function as a detached workshop. Both are based on the Theatrestudio training, but this workshop use the ideas from the training as its … Read the rest of this entry

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Workshop in Physical Theatre Training

A singer is practicing his scales; a dancer is training his body; a musician is practicing his instrument and so on. The actor ought to train his instrument, his voice and his body, in the same manner in order to … Read the rest of this entry

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