2013 – Twine. Measure. Cut


This is first a trailer from Twine. Measure. Cut and also the whole show filmed and cut by Amrit Fors. The performances was made with Teater Sláva in 2013 in Huddinge outside Stockholm and it later played on tour starting first 2014.

Here is first a VIDEOTRAILER:

And here is the whole Twine. Measure Cut:

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Var är Boken? (Where’s the Book?)


Text and directing – Micke Klingvall

Brighella – Erika Gustafsson
Doralice – Angelica Prodromou
Dottore – Josefin Glaadh
Flavio – Oskar Webrell
Pantalone – Christoffer From
Signora – Kajsa Sparrefors
Var är boken? was the final show for the physical theatre class of 2014 at Kulturama in Stockholm. It opened at Kulturama in Stockholm 21/3-2014. Later in April and May it toured in Åland (the islands in between Sweden and Finland) and the south and middle of Sweden.


The show is a classic Commedia dell’Arte, with lots of music, rhythm, dance and acrobatics.  We focused much on not just tearing down the forth wall, but communicating all the time straight to the audience in order not making them spectators but participators invited to the feast of Commedia dell’Arte.
The lovers are trying getting each other, Dottore is looking for his medical book, Brighella is avoiding work, and Pantalone and Signora are trying to seducing the lovers, until the final party…


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Den Galopperande Doktorn (The Galloping Doctor)


Directing & Text –Micke Klingvall

Amanda Jalmberger – Dottore
Emilia Millan Björk – Flaminia
Erik Norrman – Flavio, Pantalone
Linnea Ytterlid – Arlecchino


Den Galopperande Doktorn opened in Kulturhuset Stockholm at Stockholm Pride festival 29/2014. Then it continued touring in the south of Sweden – including The medieval week in Gotland – for two weeks.
The outdoor rehearsal period was at times rather chaotic with me getting lost to the rehearsal space, dogs and people passing by and at times extremely heavy rains.


This was the second show that I directed with Teater 7. The first show Pirater (Pirates) was rehearsing while the actors were still students at Kulturama, but as soon as they opened the show it belonged to the group.


The plot is a classical Commedia dell’Arte, with two lovers wanting to reach each despite their obstacles, servants trying to survive and getting out of trouble, old men driving their egoistic schemes and so on…  It is played with visual tricks, music and acrobatics as incorporated disciplines. And off course, it was filled with gags, good spirit and laughter in the spirit of Commedia dell’Arte.

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Bellman – a Swedish national poet


When talking about Vulgar Comedy I must, as a Swede, mention our national poet, the eighteen century poet: Carl Michael Bellman. He wrote much more than Vulgar Comedy, such as elegies and pastorals, but it is the Vulgar Comedy he is most remembered for here in Sweden. He wrote drinking songs, parodies of the Bible, occasional, nature and epinicion poetry, plays, an opera and he even created a mock fraternal organization.

Swedish current illustration

Swedish current illustration

Bellman was mostly a singer/songwriter and a performer who played all his characters himself. He created an upside-down-world much like the Carnival, in his “Fredman’s Epistles” where the feast and death, myth and realism, satire and gravity, raw reality and tender rococo walked hand in hand. The whores of Stockholm became vestals, drunks became Bacchi prophets or apostles and musicians became saints and high priests in Bacchi temple. Drunkenness, sex and death became a sort of holy trinity where Bacchus, Fröja (the Aphrodite of Norse mythology) and Charon where worshiped.


He made a collection of characters that was taken from the actual streets of Stockholm at the time, but he always described them with sympathy, like:
Fredman – once a respected court clockmaker and owner of real estate in Stockholm, became a well known drunkard on the streets of the town,
Ulla Winblad – nymph and the priestess of eroticism in Bacchi temple, a symbol of different incarnations of Venus, a whore who by the end of her life married to a customs officer or
Father Movitz – born 1721, became a drunkard when his wife died, after a collapsed career as soldier, craftsman and vintner, also a sought musician in the taverns of Stockholm.

By the end of his life...

By the end of his life…

After Bellman’s death in 1795, he became more of a symbol of XXXX in Sweden. Most people forgot who the historical Carl Michael Bellman really was. Instead there came a tradition of funny stories about Bellman; first stories of social rebellion for adults such as in this one:
Bellman was out walking in the royal park when he had to take a crap. So he did. He put his hat over it in order to hide it. Then he met some court ladies. He told them that he had caught an extremely beautiful and rare bird that he had it under his hat and if they were really fast caching it when he lifted his hat they could have it. So they did… (It is interesting to notice that anthropologists have found this story worldwide even in places like Uganda.)
Later around the beginning of the nineteenth century the children took over the stories and turned them more naive, like this one:
There was a German, a Russian and Bellman (it is always the same guys) stuck on a deserted island when they suddenly were granted one wish each. The German wished to go home and swosh – he was gone. Then the Russian wished to go home and swosh – he was gone. Then bellman felt lonely so wished for his friends to come back…
Bellman’s mock fraternal organization became an established social order (and still is) a real organization for keeping the memory of Bellman and giving cultural grants (one does not have to be seen publicly sleeping in the gutter twice to enter the organization anymore).
The songs was captured by choirs and used as student songs where nobody really understood what they were singing about.  Not until around the sixties the traditions around Bellman started focus on what he really wrote about again.

Other related posts:
Genres of Vulgar Comedy
Laughter, Humor and Comedy

About Micke CV
European Polytheatre

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2013 – Gudomliga Ord (Divine Words)

Kult21This is the final production from the second year students at Kulturama’s physical theatre program in the spring of 2013. The show played in Stockholm and the toured Norway and the south of Sweden.

Click here to read more about Gudomliga Ord (Divine Words)

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2013 – Salome


This was the fall production of the second year students at Kulturamas physical theatre, opened 29/11-2013.

Click here to read more about Salome.

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2012 – Kattorna (The Cats)

This show was the final show för the second year students at Kulturama’s physical theatre education 2011. It toured the south of Sweden later that spring.
Of some reason the video don’t fill the whole space, but one should be able to see the most of it anyway.

Click here to read more about Kattorna (The Cats).

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2011 – Student presentation

This is a collage of shows that I and Jindra Pohony did in 2011 with our first year students at Kulturama. It was that years final production.

And here is the full version for those of you who have the strength to watch the whole show:

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2002 – Gamla Testamentet (The Old Testament)

This show was played by the first year students at the Theatrestudio in 2002. It was built from stories from the Old Testament. The main reason was for that choice was that we had only girls in the ensemble…

Click here to read more about Gamla Testamentet (The Old Testament).

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1997/98 – AAARRGH!!!

AAARRGH!!! was Kompani Komedi’s second big Commedia dell’Arte show (the first one was not filmed). It toured the summer of 1996 in Germany, Austria, Italy, Croatia and Denmark before it returned to Stockholm and Salong Katakomb in the fall, where this clip is from, for a couple of mounths.

Click here to read more about AAARRGH!!!

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