Tag Archives: Commedia dell arte

Commedia dell’Arte and text

Hearing about how the great Commedia dell’Arte groups trained and prepared their masks, we also hear a lot about how much they read (See example). It doesn’t necessarily mean that they used the texts on stage. It can just as … Read the rest of this entry

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Commedia dell’Arte – mocking the power

Also the great famous Commedia dell’Arte group mocked the power, by the dethroning of the old man and by pointing to the static preservation of the society as a representative of the stagnant. We can thank Henry III of France … Read the rest of this entry

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Commedia Erudita – Music and performance spaces (Part 4)

Commedia Erudita, just as Commedia dell’Arte, was very musical genre. It has also contributed to the birth of opera as an art form, with composers as Orazio Vecchi and Adriano Banchieri and even Alessandro Striggio and Giovanni Croce. As early … Read the rest of this entry

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Commedia Erudita – The gaze upon Commedia dell’Arte and its collaborators (Part 3)

Throughout the sixteenth century there were lots of encounters between the Commedia Erudita with its literary culture and Commedia dell’Arte with its practical know-how. The latter came here to meet the humanistic culture and especially the classic comedies. This contributed … Read the rest of this entry

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Commedia Erudita  – The academies and other groups  (Part 2)

During the renaissance the first literary academies were born. They were – and still is – arranged in democratic order. When women were parts of the academies they were equal members. Isabella Andreini was a member of Accademia degli Intenti … Read the rest of this entry

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Commedia Erudita (part 1)

As we know the word renaissance comes from French (and the historian and author Jules Michelets in 1855) and means rebirth, referring to principles from ancient Greece and Rome. That goes for the theatre as well, as an important part … Read the rest of this entry

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3 reasons mask doesn’t use psychology

The characters of the masks are made of their physical limitations, posture, gestures and so on. It is only the outer of the masks that make up their character. There is no psychology possible, since it does not go through … Read the rest of this entry

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What is a mask?

A mask can be anything from a small clown nose to giant heads to be worn on big gantries. It can sometimes be hard to tell the difference between masks and puppets, make-up, costume, even props. I would define a … Read the rest of this entry

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Vulgar Comedy and the Church (Part 5 – Opposition to theatre and comedy)

In the sixteenth century we also see how puritanism gain power and how and the Counter Reformation takes place. They wanted to purify the popular culture. They tried to stop the carnival and official festivities, since they though that the … Read the rest of this entry

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Vulgar Comedy and the Church (Part 3 – the Corpus Christi and the forming of comedy companies)

One example of how the theatre was used by the church was in the nativity scene. The first one was shown in 1223 by Francisco of Assisi. From the first puppets where used but soon the roles were played by … Read the rest of this entry

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