Tag Archives: Commedia dell’Arte

A tribute to life

“It [Commedia dell’Arte] owed everything to the actor, very little to drama or literature. It trained its own players, created its own conditions, travelled with its own costumes and properties, sometimes with portable stage.”                        From “The Theatre – a Concise … Read the rest of this entry

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The end of the heydays of Commedia dell’Arte (Part 2)

The other main reason to the decline of Commedia dell’Arte – the degeneration of the actors and art of Commedia dell’Arte – is that Commedia dell’Arte got stuck in its form and became static.As Commedia dell’Arte became more and more … Read the rest of this entry

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Commedia dell’Arte – the Name

The term Commedia dell’Arte was not used during the renaissance. It was used for the first time, the way we do today, in the eighteen century by Luigi Riccoboni in his book Histoire du Theatre Italien from 1728. At that … Read the rest of this entry

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To compose a Commedia dell’Arte group in the sixteenth century

To compose a Commedia dell’Arte group was a highly delicate task. Some masks were needed in order to fill out the usual scenarios. But one couldn’t just chose the best actors. One had to think about that the actors should … Read the rest of this entry

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Playing Commedia dell’Arte indoors

When playing indoors some things work a little different. Lightning for instance has to be as “flat” as possible, meaning that the ligthning has to be coming from a low point. That is to have the eyes of the mask … Read the rest of this entry

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The end of the heydays of Commedia dell’Arte (Part 3)

There are lots of descriptions about how Commedia dell’Arte degenerated even though many are of the type: “everything has changed to worse”. We can see here how the aging Francesco Gabrielli, who had led a good life as actor in … Read the rest of this entry

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The end of the heydays of Commedia dell’Arte (Part 1)

“Acuity and rationalism does not thrive together with lush and warming jocularity, the humor of rationalism easily becomes merciless satire, as in Voltair for example.”                             Harry Järv, in the pretext to The Very Horrific Life of Great Gargantua It is often … Read the rest of this entry

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Desiosi (The Desired) 1581 – 1603

They are first heard of in Pisa 1581.One of the reasons webring up Desiosi is that they were led by a woman, Diana Ponti, and were often called “Dianas Troup”. She was much celebrated and often the main attraction. Diana … Read the rest of this entry

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A Dottore monologue

This monologue is not really a Scrolquio since it is tied to the plot in this particular play, Käbbel, that I wrote in 2019.It was originally played in Swedish. ”Dott:     In Oh see such a fetching audience! Just see, all this … Read the rest of this entry

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Kalabalik

Here is a video of ”Kalabalik” the student show in Commedia dell’Arte from the spring of 2021 that I directed. (I am sorry for the bad fitting to the frame) See also:Det allra löjligaste (The Most Ridiculous)Sex fiaskon och in … Read the rest of this entry

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