Tag Archives: Teaterstudion

Posted on by Micke Klingvall

Uniti (the Cohesive) and Fedeli (the Devoted)

Uniti 1578 – 1640 The first time we hear of the Uniti (who are also called “His Excellence the Duke of Mantua’s troupe) is in 1578 when they play in Ferrara.1583 they have either some kind of collaboration with Confidenti … Read the rest of this entry →

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Posted on by Micke Klingvall

Confidenti (The Confident) 1574 – 1639

The first time we hear about Confidenti is from 1574, during a tour in Cremona, Pavia and Milan. That part of northern Italy was their primary tour territory.Between 1570 and 1580 they were more or less tied to the Duke … Read the rest of this entry →

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Posted on by Micke Klingvall

The famous Commedia dell’Arte companies and their time.

During the heydays of Commedia dell’Arte, from the fifteen sixties to the middle of the seventeenth century, there was some real famous companies. Many of them were established as soon as around 1570 in larger parts of Europe. Many of … Read the rest of this entry →

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Posted on by Micke Klingvall

3 reasons mask doesn’t use psychology

The characters of the masks are made of their physical limitations, posture, gestures and so on. It is only the outer of the masks that make up their character. There is no psychology possible, since it does not go through … Read the rest of this entry →

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Posted on by Micke Klingvall

Western bias of the mask

In the west we tend to think about the mask as something to hide behind, as if it were a tool to hide emotions, intentions or reactions. Nothing can be more wrong. The masks always tell the truth – it … Read the rest of this entry →

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Posted on by Micke Klingvall

What is a mask?

A mask can be anything from a small clown nose to giant heads to be worn on big gantries. It can sometimes be hard to tell the difference between masks and puppets, make-up, costume, even props. I would define a … Read the rest of this entry →

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Posted on by Micke Klingvall

Vulgar Comedy and the Church (Part 5 – Opposition to theatre and comedy)

In the sixteenth century we also see how puritanism gain power and how and the Counter Reformation takes place. They wanted to purify the popular culture. They tried to stop the carnival and official festivities, since they though that the … Read the rest of this entry →

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Posted on by Micke Klingvall

Vulgar Comedy and the Church (Part 4 – the Diavolas)

The Corpus Christi was celebrated with carnival festivities, comical rites and dramatic performances. It was not just the performance it was just as much the feast itself. In the long run people got tired of long serious plays. They wanted … Read the rest of this entry →

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Posted on by Micke Klingvall

Vulgar Comedy and the Church (Part 2 – the Feast of the Ass and the Feast of Fools)

The church was not just a religious building during the middle ages and the renaissance. It was also a cultural center where one could very well be engaged in worldly matters, despite protests from the priests. For example the cathedral … Read the rest of this entry →

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Posted on by Micke Klingvall

The mask and the actor

The mask demands energy and size. It is all about filling the mask with life. Since the mask is stylized and extends parts of the face or is larger than life, it demands another form of dynamism than the realistic. … Read the rest of this entry →

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