Tag Archives: lazzo

Pantalone and Dottore makes a deal

Here is a scene From ”Where is the Book” opened in 2014 in Stockholm, then toured Finland and the north of Sweden. It was decided that Pantalones son Flavio should marry Doralice, but then Pantalone laid his own eyes on … Read the rest of this entry

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Arlecchino and Zanni gets a job

From”The Miracle Doctor” opened in 2101 in Stockholm, then toured northern Norway and Sweden. Arl:                        In Oh, I am so hungry I could eat a horse. Zan:                       In Oh, I am so hungry I could eat a donkey. Arl:                         … Read the rest of this entry

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The Lovers Tries to Meet

Here is a dialoge from  ”Where´s the Book?” made in 2014.Flavio and Doralice are coming on the stage and trying to meet each other. I guess you can see this as much as an example of a short scene as … Read the rest of this entry

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Pantalone demands to sit down

Here is an example from ”Sex/six failures and a chair” played by my students in 2014. Pant:                  In But look… Hi once again! Are you still sitting here staring? Don’t you have any homes? And isn’t this that lazy bastard … Read the rest of this entry

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Pulcinella explain to Coviello

Here is an example dialog between Pulcinella and Coviello from ”Squabble” I show I made in 2020 for Cultimedia. Pul:     In In Come on now you sluggish sack of flour! Cov:   In Here am I… quick as a flash! Pul:     … Read the rest of this entry

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Commedia dell’Arte and text

Hearing about how the great Commedia dell’Arte groups trained and prepared their masks, we also hear a lot about how much they read (See example). It doesn’t necessarily mean that they used the texts on stage. It can just as … Read the rest of this entry

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Improvisation in Commedia dell’Arte (Part 3)

Much of the art in playing Commedia dell’Arte has to do with being constantly on the alert, always ready to jump in to the action or leave space for another mask. This does not just apply when we are on … Read the rest of this entry

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Improvisation in Commedia dell’Arte (Part 2)

When I work with Commedia dell’Arte I don’t let improvisation be the most important, even though it still is important. I do this for three reasons; Commedia dell’Arte is played from a plot, even though it is of less importance … Read the rest of this entry

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What we really know about Commedia dell’Arte (Part 1)

No one can say what a Commedia dell’Arte show really looked like in the renaissance. Neither do we know about the relations between the actors and the rest of the population or what is myth and what is true in … Read the rest of this entry

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Prolog or opening in Commedia dell’Arte

The introduction to a Commedia dell’Arte show in very important. It does not only have to present the different masks so that a modern audience will know them at an early stage in the show, it must also introduce the … Read the rest of this entry

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