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Tag Archives: acrobatics
Pulcinella tries to convince Zanni to dress up as a Isabella
A scene from “Morens Fånge” or “The Prisoner of the Moor”. That I made with Teater Teatropen in 2002. Zan: Are you a little moody today? Hihihi… Pulcinella is cranky. Killekille kill Pulcinella turns Killekille kill Pulcinella turns … Read the rest of this entry
Filed in 1 Commedia dell'Arte, Example texts
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Acrobatics as a discipline in Commedia dell’Arte
Acrobatics and slapstick (together with the music) may be the most used discipline in Commedia dell’Arte. They work with symmetries, physical turns or physically exaggerated reactions or positions. Acrobatics is a way to stylize and it is used, just as … Read the rest of this entry
Filed in Disciplines
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Music as a discipline in Commedia dell’Arte
The music is off course the most central of all disciplines in Commedia dell’Arte. It is there to heighten the performance and it helps up the atmosphere of feast that is so characteristic in Commedia dell’Arte. I the very first … Read the rest of this entry
Filed in Disciplines
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Disciplines in Commedia dell’Arte
Commedia dell’Arte is sprung from a time long before circus and theatre were divided as separate genres, when all sorts of stage disciplines could be played on the same stage without one having to be better or more refined than … Read the rest of this entry
Filed in Acting style, Disciplines
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Improvisation in Commedia dell’Arte (Part 2)
When I work with Commedia dell’Arte I don’t let improvisation be the most important, even though it still is important. I do this for three reasons; Commedia dell’Arte is played from a plot, even though it is of less importance … Read the rest of this entry
Filed in Acting style
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Pirater (Pirates)
Directing & Text – Micke Klingvall Linnea Ytterlid – The Captain Mattias Kolberg Eriksen – Esmeralda Andrea Boeryd – Rollo Pål Mollan – Ragnhild Rut Emilia Millan Björk – Klimpen Rosanne Hatab – Olle Amanda Jalmberger – William Havskrabba Veronica … Read the rest of this entry
Filed in Mickes's productions
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Workshop in stage acrobatics
With the right timing, the right ”entrance” and the right feeling for what is told, a simple somersault can be just as efficient as a double salto in a performance or in a narrative situation. We work above all to … Read the rest of this entry
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Commedia dell’Arte-performances at the Theatrestudio
The reason that I started working fulltime at the Theatrestudio at first was that I would direct and teach Commedia dell’Arte. I was just coming back from USA where I had finished the last year at Dell’Arte School of Physical … Read the rest of this entry
Filed in Mickes's productions
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Physical Theatre in Vulgar Comedy
It is not just because Vulgar Comedy originally played for an audience that could not read that most of it is based on a physical, visual theatre. It has more to do about effectiveness in the storytelling. Just like in … Read the rest of this entry
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Nils Poppe – a giant in Swedish theatre and Vulgar Comedy
Talking about Vulgar Comedy I would like take the opportunity to introduce Nils Poppe, in my view, the best comical actor Sweden ever had. And not only that He is a great dramatic actor, director, writer, dancer, acrobat, theatre manager … Read the rest of this entry
Filed in 2 Vulgar Comedy
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