Tag Archives: Arlecchino

Posted on by Micke Klingvall

Commedia dell’Arte – the Name

The term Commedia dell’Arte was not used during the renaissance. It was used for the first time, the way we do today, in the eighteen century by Luigi Riccoboni in his book Histoire du Theatre Italien from 1728. At that … Read the rest of this entry →

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Posted on by Micke Klingvall

Kalabalik

Here is a video of ”Kalabalik” the student show in Commedia dell’Arte from the spring of 2021 that I directed. (I am sorry for the bad fitting to the frame) See also:Det allra löjligaste (The Most Ridiculous)Sex fiaskon och in … Read the rest of this entry →

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Posted on by Micke Klingvall

The theatre spaces in the heydays of Commedia dell’Arte

People went to the theatre of quite other reasons, socially and culturally, all the way up to the nineteenth century. First of all: the lights were not turned down in the auditorium. It was first in the middle of the … Read the rest of this entry →

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Uniti (the Cohesive) and Fedeli (the Devoted)

Uniti 1578 – 1640 The first time we hear of the Uniti (who are also called “His Excellence the Duke of Mantua’s troupe) is in 1578 when they play in Ferrara.1583 they have either some kind of collaboration with Confidenti … Read the rest of this entry →

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Confidenti (The Confident) 1574 – 1639

The first time we hear about Confidenti is from 1574, during a tour in Cremona, Pavia and Milan. That part of northern Italy was their primary tour territory.Between 1570 and 1580 they were more or less tied to the Duke … Read the rest of this entry →

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Commedia Erudita  – The academies and other groups  (Part 2)

During the renaissance the first literary academies were born. They were – and still is – arranged in democratic order. When women were parts of the academies they were equal members. Isabella Andreini was a member of Accademia degli Intenti … Read the rest of this entry →

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The church censoring Commedia dell’Arte (2 of 2)

The defense of Commedia dell’Arte was foremost the idea that it was an edifying source of moral learning both social and on a personal level, instead of attracting to sin. It exposed the folly, the gluttony, the excesses, the hypocrites … Read the rest of this entry →

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3 reasons mask doesn’t use psychology

The characters of the masks are made of their physical limitations, posture, gestures and so on. It is only the outer of the masks that make up their character. There is no psychology possible, since it does not go through … Read the rest of this entry →

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What is a mask?

A mask can be anything from a small clown nose to giant heads to be worn on big gantries. It can sometimes be hard to tell the difference between masks and puppets, make-up, costume, even props. I would define a … Read the rest of this entry →

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Vulgar Comedy and the Church (Part 5 – Opposition to theatre and comedy)

In the sixteenth century we also see how puritanism gain power and how and the Counter Reformation takes place. They wanted to purify the popular culture. They tried to stop the carnival and official festivities, since they though that the … Read the rest of this entry →

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