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Tag Archives: comedy masks
Arlecchino and Zanni gets a job
From”The Miracle Doctor” opened in 2101 in Stockholm, then toured northern Norway and Sweden. Arl: In Oh, I am so hungry I could eat a horse. Zan: In Oh, I am so hungry I could eat a donkey. Arl: … Read the rest of this entry
Filed in 1 Commedia dell'Arte, Example texts
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Goldoni and the end of an era (Part 2)
When Goldoni did replace the Commedia dell’Arte actor’s improvisations and whims with a ready written text he did not just kill the life in the words that came in the encounter with the audience, ha also changes Commedia dell’Arte into … Read the rest of this entry
Filed in 1 Commedia dell'Arte
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Commedia dell’Arte – the Name
The term Commedia dell’Arte was not used during the renaissance. It was used for the first time, the way we do today, in the eighteen century by Luigi Riccoboni in his book Histoire du Theatre Italien from 1728. At that … Read the rest of this entry
Filed in 1 Commedia dell'Arte
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The theatre spaces in the heydays of Commedia dell’Arte
People went to the theatre of quite other reasons, socially and culturally, all the way up to the nineteenth century. First of all: the lights were not turned down in the auditorium. It was first in the middle of the … Read the rest of this entry
Filed in 1 Commedia dell'Arte
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Understanding the mask
The task of the mask is to enlarge and, at the same time, clarify the character of the mask/role. We have already mentioned that the masks are representing archetypes, that they are driven by their urges, appetites and desires rather … Read the rest of this entry
Filed in Mask theatre
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To play mask
The mask demands in itself vast energy. If the actor doesn’t “fill” the mask it doesn’t come to life. Everyone who has seen an actor act in a mask without the energy it demands, with movements just like ordinary life, … Read the rest of this entry
Filed in Mask theatre
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3 reasons mask doesn’t use psychology
The characters of the masks are made of their physical limitations, posture, gestures and so on. It is only the outer of the masks that make up their character. There is no psychology possible, since it does not go through … Read the rest of this entry
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Western bias of the mask
In the west we tend to think about the mask as something to hide behind, as if it were a tool to hide emotions, intentions or reactions. Nothing can be more wrong. The masks always tell the truth – it … Read the rest of this entry
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About teaching mask
While answering the questions I talked about in About mask making I was also asked about how I teach mask. Here are a little of the answer to that. I am not bound to any specific method even though I … Read the rest of this entry
Filed in Mask theatre
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