Tag Archives: Commedia dell’Arte

Playing Commedia dell’Arte indoors

When playing indoors some things work a little different. Lightning for instance has to be as “flat” as possible, meaning that the ligthning has to be coming from a low point. That is to have the eyes of the mask … Read the rest of this entry

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The end of the heydays of Commedia dell’Arte (Part 3)

There are lots of descriptions about how Commedia dell’Arte degenerated even though many are of the type: “everything has changed to worse”. We can see here how the aging Francesco Gabrielli, who had led a good life as actor in … Read the rest of this entry

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The end of the heydays of Commedia dell’Arte (Part 1)

“Acuity and rationalism does not thrive together with lush and warming jocularity, the humor of rationalism easily becomes merciless satire, as in Voltair for example.”                             Harry Järv, in the pretext to The Very Horrific Life of Great Gargantua It is often … Read the rest of this entry

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Desiosi (The Desired) 1581 – 1603

They are first heard of in Pisa 1581.One of the reasons webring up Desiosi is that they were led by a woman, Diana Ponti, and were often called “Dianas Troup”. She was much celebrated and often the main attraction. Diana … Read the rest of this entry

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A Dottore monologue

This monologue is not really a Scrolquio since it is tied to the plot in this particular play, Käbbel, that I wrote in 2019.It was originally played in Swedish. ”Dott:     In Oh see such a fetching audience! Just see, all this … Read the rest of this entry

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Kalabalik

Here is a video of ”Kalabalik” the student show in Commedia dell’Arte from the spring of 2021 that I directed. (I am sorry for the bad fitting to the frame) See also:Det allra löjligaste (The Most Ridiculous)Sex fiaskon och in … Read the rest of this entry

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The church censoring Commedia dell’Arte ( 1 of 2)

It was not easy for Commedia dell’Arte groups to make fun of religion and the church during the latter part of the sixteenth century, after the Council of Trent 1545 – 1563. It was a lot easier during the middle … Read the rest of this entry

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The Street as Venue (Part 2)

When it comes to Commedia dell’Arte and other masked theatre that are using entrées and sorties we need a backdrop. We don’t want the actors to vanish away in a distance. Since it is easy for the wind to make … Read the rest of this entry

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The Street as Venue

Vulgar Comedy has its roots as street theatre, or at least outdoor theatre. Long before the Greeks began building theatres for their dithyrambs and plays there where Thespis and his cart. One can still trace much of business onstage to … Read the rest of this entry

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Uniti (the Cohesive) and Fedeli (the Devoted)

Uniti 1578 – 1640 The first time we hear of the Uniti (who are also called “His Excellence the Duke of Mantua’s troupe) is in 1578 when they play in Ferrara.1583 they have either some kind of collaboration with Confidenti … Read the rest of this entry

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