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Tag Archives: mask technique
Commedia dell’Arte masks design, materials and costume
The masks in Commedia dell’Arte are, unlike Greek, Balinese or Japanese masks for instance, always half masks. They are not bigger than that they cover just the upper part of the face. They are not big enough to manifest themselves … Read the rest of this entry
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The Mask from animal to human
When we use the word mask here we talk about two things – the mask tools itself and the characters and roles of Commedia dell’Arte. The later goes also for the characters that don’t wear a mask since they move … Read the rest of this entry
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Understanding the mask
The task of the mask is to enlarge and, at the same time, clarify the character of the mask/role. We have already mentioned that the masks are representing archetypes, that they are driven by their urges, appetites and desires rather … Read the rest of this entry
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A few dogmas, concerning mask acting
To act in a mask is a technique in itself. It means that there is a lot of rules of how to handle the mask. Sometimes they are really helpful, sometimes we find there are just too many guardians of … Read the rest of this entry
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The mask and the actor
The mask demands energy and size. It is all about filling the mask with life. Since the mask is stylized and extends parts of the face or is larger than life, it demands another form of dynamism than the realistic. … Read the rest of this entry
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Mask technique in Commedia dell’Arte in Commedia dell’Arte (Part 2)
A dialog works as follows: the first mask to speak first turns to the mask he speaks to, in order to show him and the audience who he is talking to. The he turns his mask to the audience and … Read the rest of this entry
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Mask technique in Commedia dell’Arte in Commedia dell’Arte (Part 1)
First of all we must establish that the mask technique is used by every mask in Commedia dell’Arte, consequently also the masks that don’t actually have a mask in their face. That is so all masks are playing in the … Read the rest of this entry
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