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Tag Archives: mask workshop
Brighella gets paid
This example comes from ”Where´s the Book?” from 2014.Dottore is looking for his book that he needs to remember how to marry his daughter with Pantalone. When Brighella comes by he asks for help… Dott: …and not here either. Brighella … Read the rest of this entry
Filed in 1 Commedia dell'Arte, Example texts
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Commedia dell’Arte masks design, materials and costume
The masks in Commedia dell’Arte are, unlike Greek, Balinese or Japanese masks for instance, always half masks. They are not bigger than that they cover just the upper part of the face. They are not big enough to manifest themselves … Read the rest of this entry
Filed in 1 Commedia dell'Arte, Mask theatre
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A Dottore monologue
This monologue is not really a Scrolquio since it is tied to the plot in this particular play, Käbbel, that I wrote in 2019.It was originally played in Swedish. ”Dott: In Oh see such a fetching audience! Just see, all this … Read the rest of this entry
Filed in 1 Commedia dell'Arte, Example texts
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The Mask from animal to human
When we use the word mask here we talk about two things – the mask tools itself and the characters and roles of Commedia dell’Arte. The later goes also for the characters that don’t wear a mask since they move … Read the rest of this entry
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Understanding the mask
The task of the mask is to enlarge and, at the same time, clarify the character of the mask/role. We have already mentioned that the masks are representing archetypes, that they are driven by their urges, appetites and desires rather … Read the rest of this entry
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To play mask
The mask demands in itself vast energy. If the actor doesn’t “fill” the mask it doesn’t come to life. Everyone who has seen an actor act in a mask without the energy it demands, with movements just like ordinary life, … Read the rest of this entry
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The mask and the actor
The mask demands energy and size. It is all about filling the mask with life. Since the mask is stylized and extends parts of the face or is larger than life, it demands another form of dynamism than the realistic. … Read the rest of this entry
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The origins of mask (Part 1 – The hunt)
Masks are developed from hunting. When the hunters were trying to get closer to their pray they dressed in hides and furs from the animals they were hunting. It was not only the looks and the scents from the hunters … Read the rest of this entry
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The mask, costume and stage
This is also from when I was asked about my work with masks from different aspects a few years ago for a scientific work by Thanos Vovolis at the Stockholm Academy of Dramatic Arts. I thought that I might as … Read the rest of this entry
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