Tag Archives: Teaterstudion

Posted on 2016-06-07 by Micke Klingvall

Improvisation in Commedia dell’Arte (Part 3)

Much of the art in playing Commedia dell’Arte has to do with being constantly on the alert, always ready to jump in to the action or leave space for another mask. This does not just apply when we are on … Read the rest of this entry →

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Posted on 2016-05-28 by Micke Klingvall

Improvisation in Commedia dell’Arte (Part 2)

When I work with Commedia dell’Arte I don’t let improvisation be the most important, even though it still is important. I do this for three reasons; Commedia dell’Arte is played from a plot, even though it is of less importance … Read the rest of this entry →

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Posted on 2016-05-15 by Micke Klingvall

2014 – Sexfiaskon och en stol (sex/six-failures and a chair)

This was a fall production from the second year students at Kulturama’s physical theatre program in the fall of 2014. The show played in Stockholm with three shows. Back to: Sexfiaskon och en stol  Micke’s videos Commedia dell’Arte Tweet

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Posted on 2016-05-14 by Micke Klingvall

Sexfiaskon och en stol (Sex/six-failures and a chair)

Text and directing – Micke Klingvall Zanni – Yosefin Bouhler Pantalone – Per Mollan Flavio – Mårten Gunnarsson Flavia – Malin Andersson Capitano – Axel Boberg Signora – Manuela Bjelke Click here to see a trailer of Sexfiaskon och en Stol. This was a fall … Read the rest of this entry →

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Posted on 2016-05-01 by Micke Klingvall

Commercialism in Commedia dell’Arte (Part 1)

Commedia dell’Arte is commercial by nature. One of the earliest names on Commedia dell’Arte was Commedia Merceraria (One of the many early names it has). The troupes played it in order to make money as any profession would. Commedia dell’Arte … Read the rest of this entry →

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Posted on 2016-04-19 by Micke Klingvall

Mask technique in Commedia dell’Arte in Commedia dell’Arte (Part 1)

First of all we must establish that the mask technique is used by every mask in Commedia dell’Arte, consequently also the masks that don’t actually have a mask in their face. That is so all masks are playing in the … Read the rest of this entry →

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Posted on 2016-04-15 by Micke Klingvall

Entrees, sorties and sidelines in Commedia dell’Arte

Some of the special conventions in Commedia dell’Arte are the use of entrees, sorties and sidelines. An entrée always have to be exaggerated and articulate. I don’t just have to be so full of energy that the mask entering the stage … Read the rest of this entry →

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Posted on 2016-03-25 by Micke Klingvall

Size and visual narrating

It’s important to be seen when playing on the street. Therefore we must be big and distinct in movement. We must always make sure that we communicate on such a large distance that we, not only attract audiences to come … Read the rest of this entry →

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Posted on 2016-02-29 by Micke Klingvall

2015 – En Herrgårdssägen (The Tale of a Manor)

We opened the play in 17 April 2015, as a final production for Kulturama’s second year students in Physical Theatre that year. The performance played for three shows at Kulturama in Hammarby Sjöstad, Stockholm, and then it toured Trondheim and … Read the rest of this entry →

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Posted on 2016-02-29 by Micke Klingvall

En Herrgårdssägen (The Tale of a Manor)

by Selma Lagerlöf Herr Blomgren – Per Mollan Fru Blomgren – Yosefin Buohler Gunnar Hede – Axel Boberg Ingrid – Manuela Bjelke The Priest’s wife, The owneress at Munkhyttan– Malin Andresson Gustav Åhlin, Pigan, The Angel, Lady Grief, Karin Landeberg … Read the rest of this entry →

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