Tag Archives: theatre workshop

Confidenti (The Confident) 1574 – 1639

The first time we hear about Confidenti is from 1574, during a tour in Cremona, Pavia and Milan. That part of northern Italy was their primary tour territory.Between 1570 and 1580 they were more or less tied to the Duke … Read the rest of this entry

Filed in 1 Commedia dell'Arte | 1 Comment

Gelosi (the Zealous Ones) 1568 – 1604

Gelosi was the most famous of the Commedia dell’Arte companies of the time, the superstars of their time. They had a crest, a Janus head, and a motto: Virtù, fama ed honor ne fèr gelosi (Virtue, fame and honor made … Read the rest of this entry

Filed in 1 Commedia dell'Arte | Comment Now

The famous Commedia dell’Arte companies and their time.

During the heydays of Commedia dell’Arte, from the fifteen sixties to the middle of the seventeenth century, there was some real famous companies. Many of them were established as soon as around 1570 in larger parts of Europe. Many of … Read the rest of this entry

Filed in 1 Commedia dell'Arte | Comment Now

A list of actors from the heydays of Commedia dell’Arte

What we will be looking at are the actors from the most famous Commedia dell’Arte groups of its time. It is also those actors we have most and most interesting information about. Let us not believe that they are representative … Read the rest of this entry

Filed in 1 Commedia dell'Arte | Comment Now

Commedia dell’Arte – mocking the power

Also the great famous Commedia dell’Arte group mocked the power, by the dethroning of the old man and by pointing to the static preservation of the society as a representative of the stagnant. We can thank Henry III of France … Read the rest of this entry

Filed in 1 Commedia dell'Arte | Comment Now

Commedia Erudita – Music and performance spaces (Part 4)

Commedia Erudita, just as Commedia dell’Arte, was very musical genre. It has also contributed to the birth of opera as an art form, with composers as Orazio Vecchi and Adriano Banchieri and even Alessandro Striggio and Giovanni Croce. As early … Read the rest of this entry

Filed in 1 Commedia dell'Arte | 2 Comments

Commedia Erudita  – The academies and other groups  (Part 2)

During the renaissance the first literary academies were born. They were – and still is – arranged in democratic order. When women were parts of the academies they were equal members. Isabella Andreini was a member of Accademia degli Intenti … Read the rest of this entry

Filed in 1 Commedia dell'Arte | 1 Comment

Commedia Erudita (part 1)

As we know the word renaissance comes from French (and the historian and author Jules Michelets in 1855) and means rebirth, referring to principles from ancient Greece and Rome. That goes for the theatre as well, as an important part … Read the rest of this entry

Filed in 1 Commedia dell'Arte | 2 Comments

A Servetta’s prolog

Here is a prolog by a Servetta from Domenico Brunis, from 1621, in my translation from Swedish. This might be one of the most used prologs today. It is one of the few saved prologs that are dramatic and can … Read the rest of this entry

Filed in 1 Commedia dell'Arte, Examples | 1 Comment

About teaching mask – part 2

In About mask making I explained how this is all about some questions I got in for a scientific work by Thanos Vovolis at the Stockholm Academy of Dramatic Arts. This post is continuing from About teaching mask. The goal … Read the rest of this entry

Filed in Mask theatre | Comment Now