Tag Archives: women in comedy

The end of the heydays of Commedia dell’Arte (Part 2)

The other main reason to the decline of Commedia dell’Arte – the degeneration of the actors and art of Commedia dell’Arte – is that Commedia dell’Arte got stuck in its form and became static.As Commedia dell’Arte became more and more … Read the rest of this entry

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The end of the heydays of Commedia dell’Arte (Part 1)

“Acuity and rationalism does not thrive together with lush and warming jocularity, the humor of rationalism easily becomes merciless satire, as in Voltair for example.”                             Harry Järv, in the pretext to The Very Horrific Life of Great Gargantua It is often … Read the rest of this entry

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Desiosi (The Desired) 1581 – 1603

They are first heard of in Pisa 1581.One of the reasons webring up Desiosi is that they were led by a woman, Diana Ponti, and were often called “Dianas Troup”. She was much celebrated and often the main attraction. Diana … Read the rest of this entry

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Commedia dell’Arte troupes in comparison with the Elizabethan theatre

Even though the Commedia dell’Arte actors were professional they could not live on their art itself. They had to find other ways were they could use their craft to survive, just like many struggling theatre groups today. While the successful … Read the rest of this entry

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Accesi (the Lightened) 1590 – 1628

Accisi had probably existed for a while when we first hear about them in 1590, when they get a permit to play in Brescia.As early as 1583 Pier Maria Cecchini says that he played for Alfonso II d’Este, the Duke … Read the rest of this entry

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To play mask

The mask demands in itself vast energy. If the actor doesn’t “fill” the mask it doesn’t come to life. Everyone who has seen an actor act in a mask without the energy it demands, with movements just like ordinary life, … Read the rest of this entry

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Commedia Erudita – Music and performance spaces (Part 4)

Commedia Erudita, just as Commedia dell’Arte, was very musical genre. It has also contributed to the birth of opera as an art form, with composers as Orazio Vecchi and Adriano Banchieri and even Alessandro Striggio and Giovanni Croce. As early … Read the rest of this entry

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Commedia Erudita – The gaze upon Commedia dell’Arte and its collaborators (Part 3)

Throughout the sixteenth century there were lots of encounters between the Commedia Erudita with its literary culture and Commedia dell’Arte with its practical know-how. The latter came here to meet the humanistic culture and especially the classic comedies. This contributed … Read the rest of this entry

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Commedia Erudita (part 1)

As we know the word renaissance comes from French (and the historian and author Jules Michelets in 1855) and means rebirth, referring to principles from ancient Greece and Rome. That goes for the theatre as well, as an important part … Read the rest of this entry

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What is a mask?

A mask can be anything from a small clown nose to giant heads to be worn on big gantries. It can sometimes be hard to tell the difference between masks and puppets, make-up, costume, even props. I would define a … Read the rest of this entry

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