Tag Archives: history of the theater

Dottore and Signora marrying away their daughter

Here is an example from ”Where´s the Book?” from 2014. Sign:          In, singing. Dott:          Signora, my most adorable honey-pie! Welcome up on the stage, my little crumb of cake. Sign:          Hi to you, slouch. Dott:          I have talked to Pantalone … Read the rest of this entry

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Goldoni and the end of an era (Part 2)

When Goldoni did replace the Commedia dell’Arte actor’s improvisations and whims with a ready written text he did not just kill the life in the words that came in the encounter with the audience, ha also changes Commedia dell’Arte into … Read the rest of this entry

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The end of the heydays of Commedia dell’Arte (Part 2)

The other main reason to the decline of Commedia dell’Arte – the degeneration of the actors and art of Commedia dell’Arte – is that Commedia dell’Arte got stuck in its form and became static.As Commedia dell’Arte became more and more … Read the rest of this entry

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Commedia dell’Arte – the Name

The term Commedia dell’Arte was not used during the renaissance. It was used for the first time, the way we do today, in the eighteen century by Luigi Riccoboni in his book Histoire du Theatre Italien from 1728. At that … Read the rest of this entry

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Goldoni and the end of an era (Part 3)

During the end of the eighteenth century, when the bourgeois comedy had been well established and taken over the theatre scene, Commedia dell’Arte and the vulgar laughter started to be looked at as something quaint and exotic. As new middle-class … Read the rest of this entry

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Goldoni and the end of an era (Part 1)

Let us use Goldoni to explain how Commedia dell’Arte died out in the middle of the eighteenth century, with the background we already discussed here in mind. Not that we really can accuse Goldoni for being the killer of Commedia … Read the rest of this entry

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To compose a Commedia dell’Arte group in the sixteenth century

To compose a Commedia dell’Arte group was a highly delicate task. Some masks were needed in order to fill out the usual scenarios. But one couldn’t just chose the best actors. One had to think about that the actors should … Read the rest of this entry

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The end of the heydays of Commedia dell’Arte (Part 3)

There are lots of descriptions about how Commedia dell’Arte degenerated even though many are of the type: “everything has changed to worse”. We can see here how the aging Francesco Gabrielli, who had led a good life as actor in … Read the rest of this entry

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The end of the heydays of Commedia dell’Arte (Part 1)

“Acuity and rationalism does not thrive together with lush and warming jocularity, the humor of rationalism easily becomes merciless satire, as in Voltair for example.”                             Harry Järv, in the pretext to The Very Horrific Life of Great Gargantua It is often … Read the rest of this entry

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Desiosi (The Desired) 1581 – 1603

They are first heard of in Pisa 1581.One of the reasons webring up Desiosi is that they were led by a woman, Diana Ponti, and were often called “Dianas Troup”. She was much celebrated and often the main attraction. Diana … Read the rest of this entry

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