Tag Archives: mask education

Posted on 2021-04-21 by Micke Klingvall

Commedia dell’Arte masks design, materials and costume

The masks in Commedia dell’Arte are, unlike Greek, Balinese or Japanese masks for instance, always half masks. They are not bigger than that they cover just the upper part of the face. They are not big enough to manifest themselves … Read the rest of this entry →

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Posted on 2021-02-04 by Micke Klingvall

The Mask from animal to human

When we use the word mask here we talk about two things – the mask tools itself and the characters and roles of Commedia dell’Arte. The later goes also for the characters that don’t wear a mask since they move … Read the rest of this entry →

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Posted on 2020-06-10 by Micke Klingvall

Understanding the mask

The task of the mask is to enlarge and, at the same time, clarify the character of the mask/role. We have already mentioned that the masks are representing archetypes, that they are driven by their urges, appetites and desires rather … Read the rest of this entry →

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Posted on 2020-05-07 by Micke Klingvall

A few dogmas, concerning mask acting

To act in a mask is a technique in itself. It means that there is a lot of rules of how to handle the mask. Sometimes they are really helpful, sometimes we find there are just too many guardians of … Read the rest of this entry →

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Posted on 2017-05-22 by Micke Klingvall

3 reasons mask doesn’t use psychology

The characters of the masks are made of their physical limitations, posture, gestures and so on. It is only the outer of the masks that make up their character. There is no psychology possible, since it does not go through … Read the rest of this entry →

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Posted on 2017-04-24 by Micke Klingvall

Western bias of the mask

In the west we tend to think about the mask as something to hide behind, as if it were a tool to hide emotions, intentions or reactions. Nothing can be more wrong. The masks always tell the truth – it … Read the rest of this entry →

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Posted on 2017-02-27 by Micke Klingvall

The mask and the actor

The mask demands energy and size. It is all about filling the mask with life. Since the mask is stylized and extends parts of the face or is larger than life, it demands another form of dynamism than the realistic. … Read the rest of this entry →

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Posted on 2017-02-13 by Micke Klingvall

The origins of mask (Part 1 – The hunt)

Masks are developed from hunting. When the hunters were trying to get closer to their pray they dressed in hides and furs from the animals they were hunting. It was not only the looks and the scents from the hunters … Read the rest of this entry →

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Posted on 2012-01-17 by Micke Klingvall

Why mask?

As the mask enhances the bodily expression both visually and by size it also compels a more direct communication from the stage. A communication that becomes stronger in its expression and allows a comedy that goes straight to the guts … Read the rest of this entry →

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Posted on 2012-01-13 by Micke Klingvall

The face – a tool to lie with

People tend to think that the face is central for communication between people. I am not so sure. I think we think that the face is central. The face is what we use to lie with. We lie in the … Read the rest of this entry →

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