Tag Archives: theatre history

Goldoni and the end of an era (Part 1)

Let us use Goldoni to explain how Commedia dell’Arte died out in the middle of the eighteenth century, with the background we already discussed here in mind. Not that we really can accuse Goldoni for being the killer of Commedia … Read the rest of this entry

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To compose a Commedia dell’Arte group in the sixteenth century

To compose a Commedia dell’Arte group was a highly delicate task. Some masks were needed in order to fill out the usual scenarios. But one couldn’t just chose the best actors. One had to think about that the actors should … Read the rest of this entry

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The end of the heydays of Commedia dell’Arte (Part 3)

There are lots of descriptions about how Commedia dell’Arte degenerated even though many are of the type: “everything has changed to worse”. We can see here how the aging Francesco Gabrielli, who had led a good life as actor in … Read the rest of this entry

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The end of the heydays of Commedia dell’Arte (Part 1)

“Acuity and rationalism does not thrive together with lush and warming jocularity, the humor of rationalism easily becomes merciless satire, as in Voltair for example.”                             Harry Järv, in the pretext to The Very Horrific Life of Great Gargantua It is often … Read the rest of this entry

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Desiosi (The Desired) 1581 – 1603

They are first heard of in Pisa 1581.One of the reasons webring up Desiosi is that they were led by a woman, Diana Ponti, and were often called “Dianas Troup”. She was much celebrated and often the main attraction. Diana … Read the rest of this entry

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Commedia dell’Arte troupes in comparison with the Elizabethan theatre

Even though the Commedia dell’Arte actors were professional they could not live on their art itself. They had to find other ways were they could use their craft to survive, just like many struggling theatre groups today. While the successful … Read the rest of this entry

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Kalabalik

Here is a video of ”Kalabalik” the student show in Commedia dell’Arte from the spring of 2021 that I directed. (I am sorry for the bad fitting to the frame) See also:Det allra löjligaste (The Most Ridiculous)Sex fiaskon och in … Read the rest of this entry

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The wealthy and lucky Commedia dell’Arte groups

Those lucky Commedia dell’Arte troupes that could play in the salons of castles and palaces had their benefactors, usually a duke or a nobleman over a province. For those actors who were educated it was also relatively easy to find … Read the rest of this entry

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The church censoring Commedia dell’Arte ( 1 of 2)

It was not easy for Commedia dell’Arte groups to make fun of religion and the church during the latter part of the sixteenth century, after the Council of Trent 1545 – 1563. It was a lot easier during the middle … Read the rest of this entry

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The theatre spaces in the heydays of Commedia dell’Arte

People went to the theatre of quite other reasons, socially and culturally, all the way up to the nineteenth century. First of all: the lights were not turned down in the auditorium. It was first in the middle of the … Read the rest of this entry

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