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Tag Archives: theatre school
Goldoni and the end of an era (Part 4)
It is from this Von-oben-perspective, which we discussed in PART 3 that the bourgeois once again met with the old culture of laughter and vulgar comedy, sometime in the middle of the nineteenth century. It was naturally still alive and … Read the rest of this entry
Filed in 1 Commedia dell'Arte, 2 Vulgar Comedy
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Commedia dell’Arte troupes in comparison with the Elizabethan theatre
Even though the Commedia dell’Arte actors were professional they could not live on their art itself. They had to find other ways were they could use their craft to survive, just like many struggling theatre groups today. While the successful … Read the rest of this entry
Filed in 1 Commedia dell'Arte
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Kalabalik
Here is a video of ”Kalabalik” the student show in Commedia dell’Arte from the spring of 2021 that I directed. (I am sorry for the bad fitting to the frame) See also:Det allra löjligaste (The Most Ridiculous)Sex fiaskon och in … Read the rest of this entry
Filed in 2 Vulgar Comedy
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The Street as Venue (Part 2)
When it comes to Commedia dell’Arte and other masked theatre that are using entrées and sorties we need a backdrop. We don’t want the actors to vanish away in a distance. Since it is easy for the wind to make … Read the rest of this entry
Filed in 2 Vulgar Comedy
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Commedia Erudita – The academies and other groups (Part 2)
During the renaissance the first literary academies were born. They were – and still is – arranged in democratic order. When women were parts of the academies they were equal members. Isabella Andreini was a member of Accademia degli Intenti … Read the rest of this entry
Filed in 1 Commedia dell'Arte
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The less well-to-do Commedia dell’Arte groups
Even if the more famous Commedia dell’Arte groups had an easier life the life of the actors were not always worth very much in the eyes of the rulers. Here is a letter from Rome, reporting about when the Gelosi … Read the rest of this entry
Filed in 1 Commedia dell'Arte
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Commedia dell’Arte abroad
Commedia dell’Arte was definitely not just an Italian matter. It spread very soon all round Europe, above all in France, where Commedia dell’Arte was almost as at home as in Italy. When Gelosi and Zan Ganassa came to Paris in … Read the rest of this entry
Filed in 1 Commedia dell'Arte
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3 reasons mask doesn’t use psychology
The characters of the masks are made of their physical limitations, posture, gestures and so on. It is only the outer of the masks that make up their character. There is no psychology possible, since it does not go through … Read the rest of this entry
Filed in Mask theatre
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Western bias of the mask
In the west we tend to think about the mask as something to hide behind, as if it were a tool to hide emotions, intentions or reactions. Nothing can be more wrong. The masks always tell the truth – it … Read the rest of this entry
Filed in Mask theatre
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What is a mask?
A mask can be anything from a small clown nose to giant heads to be worn on big gantries. It can sometimes be hard to tell the difference between masks and puppets, make-up, costume, even props. I would define a … Read the rest of this entry
Filed in Mask theatre
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