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Tag Archives: royal theatre
Goldoni and the end of an era (Part 2)
When Goldoni did replace the Commedia dell’Arte actor’s improvisations and whims with a ready written text he did not just kill the life in the words that came in the encounter with the audience, ha also changes Commedia dell’Arte into … Read the rest of this entry
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Commedia dell’Arte troupes in comparison with the Elizabethan theatre
Even though the Commedia dell’Arte actors were professional they could not live on their art itself. They had to find other ways were they could use their craft to survive, just like many struggling theatre groups today. While the successful … Read the rest of this entry
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Grammelot
The onomatopoetic, language mimicking, voice illustrating, sound that Dario Fo calls Grammelot was born in France when the Commedia dell’Arte actors where antagonized by the church in Italy during the counterreformation. They turned to Europe instead, but not only to … Read the rest of this entry
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The Official Theatre
When talking so much about Vulgar Comedy I must define my view on the opposite, the Official Theatre, as well. It will be extremely shortened and generalized, since the amount and variations in genres are almost as great is in … Read the rest of this entry
Filed in 2 Vulgar Comedy, 5 Thoughts on Theatre
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Stanislavsky’s system v/s Vulgar Comedy
We have to remember that Stanislavsky was a rich factory owner how did not need to make a living from his theatre. He was from the Russian upper classes who despised Vulgar Comedy. So we can count on that he … Read the rest of this entry
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Millenieprojektet (The millennia project)
Opening 27/12-1999 Manus och regi – Micke Klingvall Zanni, Coviello – Micaela Gustavsson Signora – Anna Fredriksson Capitano – Jonas Larsson Charlatano – Lars Brinck Kostym – Elin Snarf Masker – Micke Klingvall & Marte Reitan Produktion – Cais-Mari Björnlod … Read the rest of this entry
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The Outlaw – Den Fredlöse (2011)
Opened 14/4-2011 Diretor – Micke Klingvall Valgerd – Michelle Nordlander Gunlöd – Anna Mamolo Gunnar, The Messenger, The Slave – Hanna Ek Orm – Tulle Montserrat Thorfinn – Simon Tunna Hagström Text – August Strindberg Music – Anna Mamolo & … Read the rest of this entry
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Low Comedy in Vulgar Comedy (Part 2)
But except from that about “the material-bodily lower” (See PART 1), Mikhail Bakhtin also states that common people at the time neither trusted seriousness nor people who were serious. They were a threat since the only ones that benefited from … Read the rest of this entry
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Early religion
As an example of how religion and the relations between gods and the people (HERE I’ve written about the impact it made in Scandinavian theatre) has changed we can study the story about Noah and the deluge. The first time … Read the rest of this entry
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Spex
Spex is a very Scandinavian form of Vulgar Comedy. It only exists in Sweden and Finland. The word itself is nineteenth century slang for spectacle (spektakel in Swedish). It started in the Swedish universities around 1850 as a parody of … Read the rest of this entry
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