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Tag Archives: mask theatre
Goldoni and the end of an era (Part 4)
It is from this Von-oben-perspective, which we discussed in PART 3 that the bourgeois once again met with the old culture of laughter and vulgar comedy, sometime in the middle of the nineteenth century. It was naturally still alive and … Read the rest of this entry
Filed in 1 Commedia dell'Arte, 2 Vulgar Comedy
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Goldoni and the end of an era (Part 2)
When Goldoni did replace the Commedia dell’Arte actor’s improvisations and whims with a ready written text he did not just kill the life in the words that came in the encounter with the audience, ha also changes Commedia dell’Arte into … Read the rest of this entry
Filed in 1 Commedia dell'Arte
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Women in Commedia dell’Arte (Part 2)
There are a couple of ways to let women wear masks in Commedia dell’Arte even though it is not conventional. Many of the masks are more or less gender neutral, especially in a modern context, such as Arlecchino or Zanni. … Read the rest of this entry
Filed in 1 Commedia dell'Arte, Mask theatre
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Commedia dell’Arte masks design, materials and costume
The masks in Commedia dell’Arte are, unlike Greek, Balinese or Japanese masks for instance, always half masks. They are not bigger than that they cover just the upper part of the face. They are not big enough to manifest themselves … Read the rest of this entry
Filed in 1 Commedia dell'Arte, Mask theatre
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Goldoni and the end of an era (Part 1)
Let us use Goldoni to explain how Commedia dell’Arte died out in the middle of the eighteenth century, with the background we already discussed here in mind. Not that we really can accuse Goldoni for being the killer of Commedia … Read the rest of this entry
Filed in 1 Commedia dell'Arte
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Playing Commedia dell’Arte indoors
When playing indoors some things work a little different. Lightning for instance has to be as “flat” as possible, meaning that the ligthning has to be coming from a low point. That is to have the eyes of the mask … Read the rest of this entry
Filed in 1 Commedia dell'Arte
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The Mask from animal to human
When we use the word mask here we talk about two things – the mask tools itself and the characters and roles of Commedia dell’Arte. The later goes also for the characters that don’t wear a mask since they move … Read the rest of this entry
Filed in Mask theatre
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Understanding the mask
The task of the mask is to enlarge and, at the same time, clarify the character of the mask/role. We have already mentioned that the masks are representing archetypes, that they are driven by their urges, appetites and desires rather … Read the rest of this entry
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To play mask
The mask demands in itself vast energy. If the actor doesn’t “fill” the mask it doesn’t come to life. Everyone who has seen an actor act in a mask without the energy it demands, with movements just like ordinary life, … Read the rest of this entry
Filed in Mask theatre
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A few dogmas, concerning mask acting
To act in a mask is a technique in itself. It means that there is a lot of rules of how to handle the mask. Sometimes they are really helpful, sometimes we find there are just too many guardians of … Read the rest of this entry
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