Tag Archives: Pantalone

Posted on 2016-03-28 by Micke Klingvall

Tempo or rhythm

Commedia dell’Arte is always fast, it is always moving forward and there are no dead moments in it. Except from the fact that it is comedy and it requires a comedy tempo, it is a consequence of that it is … Read the rest of this entry →

Filed in Acting style | Comment Now
Posted on 2016-03-15 by Micke Klingvall

Distance as acting style in Commedia dell’Arte

Commedia dell’Arte is always played with a sense of distance. It comes from the stylizing of the mask, the size of play, the use of mask, loose phalluses and other deformities of the body, the actor’s energy and the simplicity … Read the rest of this entry →

Filed in Acting style | 1 Comment
Posted on 2016-03-07 by Micke Klingvall

What we really know about Commedia dell’Arte (Part 2)

Except from the fact that almost all that is written about Commedia dell’Arte from the renaissance is either from what is played in the castles and palaces for nobles and the learned or it is written by priests who had … Read the rest of this entry →

Filed in 1 Commedia dell'Arte | 3 Comments
Posted on 2016-03-03 by Micke Klingvall

What we really know about Commedia dell’Arte (Part 1)

No one can say what a Commedia dell’Arte show really looked like in the renaissance. Neither do we know about the relations between the actors and the rest of the population or what is myth and what is true in … Read the rest of this entry →

Filed in 1 Commedia dell'Arte | Comment Now
Posted on 2016-02-26 by Micke Klingvall

Prolog or opening in Commedia dell’Arte

The introduction to a Commedia dell’Arte show in very important. It does not only have to present the different masks so that a modern audience will know them at an early stage in the show, it must also introduce the … Read the rest of this entry →

Filed in 1 Commedia dell'Arte, Acting style | Comment Now
Posted on 2016-02-23 by Micke Klingvall

Lazzo in Commedia dell’Arte

This might be the most known term in Commedia dell’Arte, though it is hardly known at all to those who are not involved in Commedia dell’Arte. It is not used anywhere else, but very often used in Commedia dell’Arte. What … Read the rest of this entry →

Filed in 1 Commedia dell'Arte, Acting style | 2 Comments
Posted on 2016-02-22 by Micke Klingvall

Canovaccio in Commedia dell’Arte

If we go back to the heydays of Commedia dell’Arte the concept of canovaccio becomes more complicated. It was used both as a full scenario or just a plotline in a scenario. The word means “what’s on the canvas”. But … Read the rest of this entry →

Filed in 1 Commedia dell'Arte, Acting style | Comment Now
Posted on 2016-02-18 by Micke Klingvall

The scenario in Commedia dell’Arte (Part 2)

The scenes in a scenario changes as a new mask enters the stage, but not when a mask leaves the stage. Let’s call this Italian scene division in contrast to French scene division, where they change scenes in both entries … Read the rest of this entry →

Filed in 1 Commedia dell'Arte | 1 Comment
Posted on 2016-02-15 by Micke Klingvall

The scenario in Commedia dell’Arte (Part 1)

The word scenario comes from the Greek word “skene” and means stage. It is not used in the early days of Commedia dell’Arte. Instead words as centone, soggetto or just commedia as well as canovaccio that has its own post. … Read the rest of this entry →

Filed in 1 Commedia dell'Arte | 4 Comments
Posted on 2016-02-11 by Micke Klingvall

Parody in Commedia dell’Arte

A common convention in Commedia dell’Arte, with very old ancestries, is the habit of mock and parody other groups and colleagues. This tradition goes back to the times when several groups were performing from their carts and wagons at the … Read the rest of this entry →

Filed in 1 Commedia dell'Arte, Acting style | 2 Comments